British -- France -- Fiction; French -- England -- Fiction; Love stories
“Paris and Maman,” Alix smiled, and the memory of Maman rushed over her
almost with a smart of tears. She owed it all to Maman, this
transfiguration. She was not really so beautiful, by daylight. It was
Maman’s magic that enveloped her, and Maman was not here to see her in
it. It was cruel that a stranger, Lady Mary, should garner Maman’s
sheaves.
She saw now that Giles’s large eyes were dwelling upon her from a
distance; but they were not like the other eyes. They kept their look of
thoughtfulness. He was not seeing her in the magic. He was only seeing
her as herself. It would always be only oneself that Giles would see.
From within her fountain of happiness she glimmered a little smile over
to him—for Jerry was beside her saying that he was to take her in to
dinner—and in Giles’s answering smile she read something touched and
gentle. She was glad that it should be so, for Giles might have looked
gloomily at her, seeing her so happy at being beautiful; but he was only
touched; and those gentle eyes of Giles’s seemed at once to quiet the
excitement and to reassure her, as though he said: “But of course you
must be happy, dear kid.”
The long table in the dining-room, shining under the candles, was like a
lake of bright water all drifted over with floating knots of flowers.
Everything made her think of gliding, falling water to-night; everything
was beautiful. Jerry was beside her and he was used to beautiful people.
He saw them every day of his life. He was like André de Valenbois in
that. Giles’s very thoughts about André crossed her mind as she turned
her eyes on the charming face beside her. He, too, was a person removed
from the earthy, primitive aspects of life; he, too, had only had,
always, to choose what he would have and never to have what he did not
choose. And now—she felt it falling around her, cool and refreshing as
the sense of crystal drops—it was herself he chose rather than Mrs.
Hamble. He did not look at Mrs. Hamble. He talked and talked, trying to
find out about her all the things that interested him; her tastes, her
prejudices, the colour of her personality. He talked happily, eagerly,
with something of the ardour of a little boy playing at gardening; that
was the simile that came to Alix while she smiled quietly at him—a
little boy who gathers up armfuls of flowers and thistles, the lovely
and the commonplace together, and brings them for
admiration:—“_Beautiful_, isn’t it?” was what he said continually; and
he did not see that there were thistles. He was younger than André; much
younger. She was dimly glad of that, for something in the likeness she
had felt disquieted her. She liked him better than André, though he had
not André’s fine discrimination. His admirations lay along the paths of
fashion, and the fact that fashion prided itself on being a pioneer led
him into ardours for the new and the strange soon discarded for the
newer and the stranger. He had an air, Alix saw, of caring, immensely,
Public-domain text, read in full here on John Shaqi.
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