British -- France -- Fiction; French -- England -- Fiction; Love stories
How strange it was. Madame Vervier had said almost those words only a
year ago and they had wakened not an echo in him. Now, as he heard them
spoken in Toppie’s confident voice a great confusion of fear, pain,
loneliness started up in Giles’s heart. It was as if he had been waiting
for Toppie to say them; as if he had felt that deep-toned bell hanging
in some sanctuary of his nature and known that Toppie would thus strike
upon it, sending the reverberations far into the past as well as into
the future. For a moment he could hardly think, he was so deafened by
the clamour, and then the first words that came were helpless words:
“She wouldn’t have me, Toppie, dear.”
“Why not?” smiled Toppie. She had taken his avowal quite for granted.
“If she loves anyone, it’s Jerry.”
“They won’t marry,” said Toppie. “There are too many difficulties; and
he doesn’t love her enough.”
“Yes, he does, if he’s helped. It’s someone like Jerry she needs;
someone young and gay, with things to offer her. I’ve nothing to offer
Alix.”
“You have your love. No one will ever love Alix as you do.” Toppie’s
loving eyes scanned his face while her confident voice thus assured him.
“But that’s no reason, for her.—She’ll have other people’s love. It’s
true, dear Toppie; of course. I see it’s true; and I suppose I’ve known
it for a long time. But Alix would never think of me like that. She
thinks of me as her brother. She thinks of me as her father, almost; as
someone kind and gruff and paternal. Alix is the fairy princess, and I’m
just the good old beast who carries her around on my back.”
“Fairy princesses marry the good old beast and then he turns into a
fairy prince,” said Toppie. “You’re so much more of a fairy prince
already, Giles, than you imagine.”
“But she has her full-fledged fairy prince waiting ready to fly off with
her. He may have his defects; but, all the same, he is the real thing.
He can give her the crystal dress and the prancing steed and the dancing
to flutes and cymbals.—Oh, you know perfectly well, Toppie, darling,
all the things I can never give her and that she loves with all her
heart. It’s queer, you know; I’ve wanted so to make Alix over into
something more English, and what I see is that she’s made me into
something more French. I’d have been indignant at the idea of fairy
princes two years ago; and at marriages with an object of advantage in
them;—but now I’ve been inoculated with a drop of the French realism.
Alix accepts the world and sees it as it is in a way that you and I,
Toppie, and people of our sort, never could. And she’s made me worldly
for her. I see the advantages for her, and I want her to have them.
She’s not a romantic English girl. She’d never believe in all for love
and the world well lost.”
Public-domain text, read in full here on John Shaqi.
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