British -- France -- Fiction; French -- England -- Fiction; Love stories
“But—if you could have cared.—Everything would have come right. Lady
Mary is so fond of you and she would have stood by. Darling, it isn’t
only loving;—no one knows that better than you do;—it’s living. Do you
face it all? To live in Oxford? To be the wife of a humdrum scholar? To
have no balls and no riding? To wear”—Giles found—“the wrong sort of
clothes and think about ordering breakfast. Darling, Jerry loves you,
you know, and the bitter things would all fade away. Such a different
life is there for you to take. I can’t help seeing, though we love each
other, that it’s the life you were meant for and that the life with me
in Oxford isn’t.”
“Oh, no, Giles, you do not see that,” said Alix. She put her hand on his
shoulder, as if with its pressure to help him to think clearly. “You are
English and believe that more than anything it is right to marry the
person you love.”
“But you are French, Alix. It’s the other belief that’s in your blood.
The belief in what’s suitable.”
“Ah, but it is true what Maman says to me, when she reproaches me; I
have in some things become English. I think the thing most suitable of
all is to love one’s husband. To marry Jerry, loving you;—no, Giles;
you know that that would not be possible to me. And I do not love him at
all. He is not near me at all; while you are like a part of my
life.—No, listen to me, dear Giles.—This is not making love. It is
being French; it is being reasonable. Even the clothes and the
breakfasts;—oh, I know that they are important.—But I am used to being
poor and to knowing how to be right with very little money.—In clothes
and in breakfasts, Giles, I shall know how to be right.”
Her eyes, resting on him, were the eyes of the English Alix, of the
woman who chooses, for herself, her life and the man she will share it
with; yet their look was a French look, too. The look of one who has no
illusions; who sees an order and accepts it; an order to live for and to
make one’s own. “And there will be the ideas and the atoms to watch, and
the Bach choir to sing in,” she finished; “and walks in the
country;—and then I shall be in France, for all the holidays, with
Maman, Giles.”
She rose as she spoke, for the storm had passed. Sunlight was flooding
in through the high pale windows of the clerestory. The Virgin’s crown
glittered against her pillar. Slowly, hand in hand, Alix and Giles
walked down the nave.
But there was something more he had to say to her, here, in her France,
in her church, beneath her Virgin’s blessing hands. This woman Alix had
made none of the conditions that the child Alix, bewildered, charmed,
afraid, had asked of her first lover. She asked no promises. She left
everything to him. It was his order she accepted.
Public-domain text, read in full here on John Shaqi.
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