British -- France -- Fiction; French -- England -- Fiction; Love stories
Giles stood by, holding Alix’s dressing-case, and felt himself a modern
tourist gazing at the masterpiece. Just as little difference, he saw it
suddenly and clearly, any knowledge of his would make to madame Vervier.
She was lifted, how or why he did not know, far above the dusty
impressions of the throng, impervious to their comments, whether of
blame or admiration. Even when in another moment her lovely eyes turned
on him and, holding Alix against her with one arm, she stretched out a
welcoming hand to him and said “_Soyez le bien-venu, monsieur Giles._ My
little girl has had only good things to tell me of you”—even then he
could not feel that he had gained in significance. So a queen might have
received the young equerry who had safely restored to her the princess
royal. They had been good to her child, the dusty throng. That was the
importance they had in madame Vervier’s eyes; that, and no more.
Struggling with many thoughts Giles followed mother and daughter. The
ghost of Owen walked beside him, and did it whisper: “You see: how could
I have helped myself?”
Two other young men were also following madame Vervier and Alix. “_Vous
jouez le tennis, monsieur?_” said one of them, the elegant one, in a
gentle voice. He was a charming white-clad person, tall and slender,
with eyes intensely blue, black hair brushed back from a starry
forehead; and a face like a fox for _finesse_ and _flair_ and like a
seraph’s for sweetness. Perhaps he had perceived the something gagged
and struggling in Giles’s demeanour and had wanted at once to make him
feel that, unimportant as any young man must be to a goddess, he might
count on having significance for a new friend. Giles said that he did
play, and he and the charming person exchanged smiles. They might,
somehow, have fought in the same trenches, side by side, Giles felt.
There was at once a link between them. The other young man, who must,
Giles thought, be an artist, was dressed in brown velveteen and blue
linen and had a dark, square, suffering head.
The _place_ outside the station was white and glaring, and the noises
that came from the café across it were glaring, too. Giles reflected,
with a certain satisfaction, that Alix need, at all events, feel no
pride in this typical scene, and it was disconcerting to have his
companion, as they made their way to the little waiting car, indicate
with a wave of the hand the dusty green trees, the dusty white houses,
the untidy green shutters, and the brittle lights on glasses and brasses
in the restaurant and say: “This is the subject that our friend here has
just been painting. You shall see it. A little masterpiece of light and
colour.”
Public-domain text, read in full here on John Shaqi.
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