British -- France -- Fiction; French -- England -- Fiction; Love stories
“Oh, breakfast here! _Quel bonheur!_” cried Alix, emerging. She made
Giles think of a swallow as she skimmed out, her feet in their heelless
_espadrilles_ hardly seeming to touch the ground. André de Valenbois
also, he saw, noted her swiftness, her light, direct movement; noted,
too, no doubt, her clear face, stern in its carven structure, yet sweet
in smile and glance. Alix was really growing up; she was already a
person to be noted by a young man with an eye for beauty in all its
manifestations, and Giles, while monsieur de Valenbois’ eyes rested
almost musingly upon her, knew a fraternal, nay, almost a paternal, stir
of anxious surmise. Would that be a solution? He did not feel the need
of a solution for Alix’s problem to be so pressing as he had on the
steamer yesterday. It was difficult in this radiant _milieu_ to believe
her so in need of rescue. However heinous madame Vervier’s fault, she
could not, without manifest priggishness, be seen as a mother unfit to
care for a daughter. But problem or no problem, it would be a comfort to
know Alix settled, and during coffee and rolls he began to see, very
plainly, that this settlement must almost certainly have presented
itself to madame Vervier. If André de Valenbois were here on these terms
of happy intimacy, when her child arrived, had she not seen to it that
he was here? Could she have chosen better? If Alix was charming, so was
he; he was, indeed, Giles considered, having not thought much of Alix as
in the category, more obviously charming than she was; a veritable
prince of the fairy-tale in face, form, and demeanour, and if Alix was
not already affected by his presence that could only be because she was
still so much a child. He was not a young man to leave a maiden’s fancy
unaffected.
“A penny for your thoughts, monsieur Giles,” monsieur de Valenbois’
voice broke in, disconcertingly, upon his meditations. That he had
allowed them to become absorbing was evident to him from the smiles that
met his eyes as he raised them. He felt himself foolishly blushing.
“Giles never talks much at breakfast,” Alix commented.
“I don’t get much chance to, at home, do I?” said Giles, grateful for
her intervention.
“You shall have every chance here,” said madame Vervier. “We rarely have
a young English philosopher among us. We must profit by the occasion.”
Her smile was very kind.
“I know what monsieur Giles was thinking of,” said monsieur de
Valenbois.
“Oh, no, you don’t,” Giles laughed.
“I wager you!” monsieur de Valenbois challenged him, tilting back his
chair, his brilliantly blue eyes on his friend. “Do you defy me?”
“Absolutely,” said Giles.
“Well, own to my perspicacity when I tell you, then, that you were
thinking about mademoiselle Alix. You were reassembling your arguments
against the Russian ballet and reflecting that the best of them would be
that it is idle to go to art for something we can find more perfectly
displayed in nature.”
Public-domain text, read in full here on John Shaqi.
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