British -- France -- Fiction; French -- England -- Fiction; Love stories
“And why should he not be?” Alix inquired. She took off her hat and the
morning breeze blew back her hair.
“Well, I’m a rather unprepossessing young foreigner. I shouldn’t have
known how to be kind to him.”
“He is quicker on the surface than you are, Giles; but you are quite as
quick beneath it, and deeper far, I feel sure,” said Alix.
“Hang it!” said Giles, laughing, “how do you manage to think these
things at your age?”
“I am of an age, it appears, to have monsieur de Valenbois discuss my
appearance in my presence,” said Alix.
“Oh—but just because you are so young,” Giles, already alarmed for the
good fortune of his romance, protested.
“Ah, but if I were as young as you mean, I should not be worth
discussing,” Alix returned.
Giles glanced at her from the tail of his eye. How young, how old,
indeed, was Alix. His sense of a suffering only biding its time to
spring upon her came strongly to him as he scanned surreptitiously the
high young face that seemed to soar beside him, the vast background
lending an added haughtiness to its delicate projections. How French,
how French she was; how much a foreigner with all her familiarity; so
much so that he could not, even now, foresee what she would feel, what
love, what suffer. “And monsieur Jules;—I’ve never heard anyone call
him anything but Jules.—And mademoiselle Fontaine? Give me your
impressions of all these people,” he said. “They are so strange and new
to me.”
“Poor Jules. I am fond of him. Very. I have known him for many years,”
said Alix. “Ever since Maman admired a picture of his and bought it and
then found him, starving, with his little wife. Maman has been their
good angel always. Success is coming to him now; now when it is too
late. And mademoiselle Fontaine is an old _habituée_ of Maman’s salon. I
have not seen her in the country before. She has taken this little villa
for the summer to be near Maman. She does not seem to belong to the
country. We will go one day to have tea with her and her mother and old
grandmother and see the little ‘fox,’” Alix added. “Her grandmother knew
Chopin. She will tell you so at once; and George Sand. She was an
actress, too. I do not think that I care much for actresses.”
“And was mademoiselle Fontaine’s mother an actress?”
“Oh, not at all. Her mother is quite different. _Une bonne petite
bourgeoise tout simplement_; quite insignificant and creeping. They both
adore the grandmother. You must see them,” Alix repeated, a slight
amusement on her lips, as if she spoke of quaint animals she had to
display to her friend.
Public-domain text, read in full here on John Shaqi.
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