The Little Lady of Lagunitas: A Franco-Californian RomanceSavage, Richard
General
The Little Lady of Lagunitas: A Franco-Californian Romance
Savage, Richard
California -- Fiction
The last order he will ever give to them turns out for surrender the men
whose reckless bravery has gilded a "Lost Cause" with a romantic halo
of fadeless glory. Peyton sadly sheathes the sword he took from Maxime
Valois' dead hands. Southward, he takes his way. Virginia is now only
a graveyard and one vast deserted battle-field. The strangers' bayonets
are shining at Richmond. He cannot revisit the scenes of his boyhood. A
craving seizes him for new scenes and strange faces. He yearns to blot
out the war from his memory. He dreams of Mexico, Cuba, or the towering
Andes of South America. His heart is too full to linger near the scenes
where the red earth lies heaped over his brethren of the sword. Back to
Atlanta he travels, with the returning fragments of the men who are now
homeward bound. All is silent now. From wood and hill no rattling fire
wakes the stillness of these days. The blackened ruins and the wide
swath cut by Sherman tell him how true was the prediction that the men
of the Northwest would "hew their way to the Gulf with their swords." He
finds the grave of Valois, when dismantled and crippled Atlanta receives
him again. Standing there, alone, the pageantry of war has rolled away.
The battle-fields are covered with wild roses. The birds nest in the
woods where Death once reigned supreme. High in the air over Atlanta
the flag of the country waves, on the garrison parade, with not a single
star erased.
On his way to a self-appointed exile, the Virginian has seen the wasted
fields, blackened ruins, and idle disheartened communities of the
conquered, families brought to misery, and the young arms-bearing
generation blotted out. Hut and manor-house have been licked up by the
red torch of war. The hollow-eyed women, suffering children, and
dazed, improvident negroes, wander around aimlessly. Bridges, mills and
factories in ruins tell of the stranger's torch, and the crashing work
of the artillery. Tall, smokeless chimneys point skywards as monuments
of desolation.
Bowed in defeat, their strongholds are yet occupied by the blue-coated
victors. All that is left of the Southern communities lingers in ruined
homes and idle marts. They now are counting the cost of attempted
secession, in the gloom of despair.
The land is one vast graveyard. The women who mourn husbands and lovers
stray over fields of strife, and wonder where the loved one sleeps.
Friend and foe, "in one red burial blent," are lying down in the
unbroken truce of death.
Atlanta's struggle against the restless Sherman has been only
wasted valor, a bootless sacrifice. Her terrific sallies, lightning
counter-thrusts, and final struggles with the after-occupation, can be
traced in the general desolation, by every step of the horrible art of
war.
Here, by the grave of his intrepid comrade, Henry Peyton reviews the
past four years. His scars and wasted frame tell him of many a deadly
fray, and the dangers of the insane fight for State rights.
Public-domain text, read in full here on John Shaqi.
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