The Little Lady of Lagunitas: A Franco-Californian RomanceSavage, Richard
General
The Little Lady of Lagunitas: A Franco-Californian Romance
Savage, Richard
California -- Fiction
One lags along, with a torn and shattered jaw. His companion is unhurt.
He bears across his saddle bow a well-known emblem, the yellow and black
scrape of Joaquin Murieta. Several ball holes prove it might have been
his shroud. Valois quickly interrogates the two; after a hasty pistol
duel, in which the flowing serape misled the two practised shots, the
fugitive plunged down a steep slope, with all the recklessness of a
Californian vaquero. It was Joaquin!
When the pursuers reached the trail, it was marked by the abandoned
blanket. A heavy saddle also lay there, cut loose. Joaquin Murieta was
riding away on the wings of the wind, but unwittingly into the jaws of
death. Two or three from the main body took up the trail. The whole body
pushed ahead on the track of the flying bandit--ready for fight.
With failing energies, Valois directs the unwounded pursuer to rejoin
the column. He sends stern orders to Harris, to spare neither man nor
beast, to follow the trail to the last. Even to the heart of the gloomy
forests, this great human vampire must be hounded on his lonely ride to
death.
In the saddle, held up by his men, Maxime Valois toils slowly towards
Lagunitas. Beside him the wounded scout, pistol in hand, rides as a
body-guard. In charge of growling old Don Miguel, a man leads him,
dismounted, by a lariat. His horse and trappings lie on the trail, after
removing all the arms. He is sullen and silent. His servant is a mere
human animal. Cautiously approaching, the plaza lies below them. In
the square, the horses of the captors can be seen peacefully grazing.
Sentinels are mounted at several places. Valois at last reenters the old
hacienda, wounded, but in pride, as a conqueror.
He is met at the priest's door by Padre Francisco. Don Miguel Peralta,
the last of the land barons of the San Joaquin, is now a prisoner in the
sacristy of the church. Time has its revenges. The turns of fortune's
wheel. Padre Francisco assembles the entire population of the home
ranch by the clanging of the church bell. In a few words he explains
the reasons of the occupancy. He orders the hired men to remain in the
enclosure under the guard of the sentinels. He dresses skilfully the
wound of Maxime. He patches up the face of the wounded scout, whose
proudest future boast will be that Joaquin Murieta gave him those
honorable scars.
Maxime, worn and faint, falls into a fevered sleep. His subordinate
holds the ranch, with all the force ready for any attack. The afternoon
wears on. In sleep Valois forgets both the flying bandit and his fate.
The old Don, his eyes filled with scalding tears, rages in his bonds.
Pale, frightened Donna Juanita clasps her hands in the agony of prayer
before the crucifix in the chapel. Beside her stands Dolores, now a
budding beauty, in radiant womanhood. The dark-eyed young girl is mute.
Her pathetic glances are as shy as a wounded deer's dying gaze. "The
dreaded Americanos."
Public-domain text, read in full here on John Shaqi.
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