"But they do do that," Graham said. "The first man I met here was a
buyer from Idaho."
"Oh, but Dick means as an institution, you know--to make them come en
masse at a stated time. Not simple auction sales, either, though he
says he will bait them with a bit of that to excite interest. It will
be an annual fair, to last three days, in which he will be the only
exhibitor. He's spending half his mornings now in conference with Mr.
Agar and Mr. Pitts. Mr. Agar is his sales manager, and Mr. Pitts his
showman."
She sighed and rippled her fingers along the keyboard.
"But, oh, if only we could get away--Timbuctoo, Mokpo, or Jericho."
"Don't tell me you've ever been to Mokpo," Graham laughed.
She nodded. "Cross my heart, solemnly, hope to die. It was with Dick in
the _All Away_ and in the long ago. It might almost be said we
honeymooned in Mokpo."
And while Graham exchanged reminiscences of Mokpo with her, he cudgeled
his brain to try and decide whether her continual reference to her
husband was deliberate.
"I should imagine you found it such a paradise here," he was saying.
"I do, I do," she assured him with what seemed unnecessary vehemence.
"But I don't know what's come over me lately. I feel it imperative to
be up and away. The spring fret, I suppose; the Red Gods and their
medicine. And if only Dick didn't insist on working his head off and
getting tied down with projects! Do you know, in all the years of our
marriage, the only really serious rival I have ever had has been this
ranch. He's pretty faithful, and the ranch _is_ his first love. He had
it all planned and started before he ever met me or knew I existed."
"Here, let us try this together," Graham said abruptly, placing the
song on the rack before her.
"Oh, but it's the 'Gypsy Trail,'" she protested. "It will only make my
mood worse." And she hummed:
"'Follow the Romany patteran
West to the sinking sun,
Till the junk sails lift through the homeless drift,
And the East and the West are one.'
"What is the Romany patteran?" she broke off to ask. "I've always
thought of it as patter, or patois, the Gypsy patois, and somehow it
strikes me as absurd to follow a language over the world--a sort of
philological excursion."
"In a way the patteran is speech," he answered. "But it always says one
thing: 'This way I have passed.' Two sprigs, crossed in certain ways
and left upon the trail, compose the patteran. But they must always be
of different trees or shrubs. Thus, on the ranch here, a patteran could
be made of manzanita and madrono, of oak and spruce, of buckeye and
alder, of redwood and laurel, of huckleberry and lilac. It is a sign of
Gypsy comrade to Gypsy comrade, of Gypsy lover to Gypsy lover." And he
hummed:
"'Back to the road again, again,
Out of a clear sea track;
Follow the cross of the Gypsy trail,
Over the world and back.'"
Public-domain text, read in full here on John Shaqi.
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