"Yo-to-to-wi is my honey-dew woman. Hear me! I am Ai-kut. Yo-to-to-wi is my quail woman, my deer-woman, my lush-woman of all soft rain and fat soil. She was born of the thin starlight and the brittle dawn-light before the sun . . . "And," Forrest concluded, relapsing into his natural voice and enunciation, having reached the limit of extemporization,--"and if you think old, sweet, blue-eyed Solomon has anything on me in singing the Song of Songs, just put your names down for the subscription edition of _my_ Song of Songs." CHAPTER XI It was Mrs. Mason who first asked that Paula play; but it was Terrence McFane and Aaron Hancock who evicted the rag-time group from the piano and sent Theodore Malken, a blushing ambassador, to escort Paula. "'Tis for the confounding of this pagan that I'm askin' you to play 'Reflections on the Water,'" Graham heard Terrence say to her. "And 'The Girl with Flaxen Hair,' after, please," begged Hancock, the indicted pagan. "It will aptly prove my disputation. This wild Celt has a bog-theory of music that predates the cave-man--and he has the unadulterated stupidity to call himself ultra-modern." "Oh, Debussy!" Paula laughed. "Still wrangling over him, eh? I'll try and get around to him. But I don't know with what I'll begin." Dar Hyal joined the three sages in seating Paula at the concert grand which, Graham decided, was none too great for the great room. But no sooner was she seated than the three sages slipped away to what were evidently their chosen listening places. The young poet stretched himself prone on a deep bearskin forty feet from the piano, his hands buried in his hair. Terrence and Aaron lolled into a cushioned embrasure of a window seat, sufficiently near to each other to nudge the points of their respective contentions as Paula might expound them. The girls were huddled in colored groups on wide couches or garlanded in twos and threes on and in the big koa-wood chairs. Evan Graham half-started forward to take the honor of turning Paula's music, but saw in time that Dar Hyal had already elected to himself that office. Graham glimpsed the scene with quiet curious glances. The grand piano, under a low arch at the far-end of the room, was cunningly raised and placed as on and in a sounding board. All jollity and banter had ceased. Evidently, he thought, the Little Lady had a way with her and was accepted as a player of parts. And from this he was perversely prepared for disappointment. Ernestine leaned across from a chair to whisper to him: "She can do anything she wants to do. And she doesn't work . . . much. She studied under Leschetizky and Madame Carreno, you know, and she abides by their methods. She doesn't play like a woman, either. Listen to that!"