"'Tis true, 'tis sad 'tis true," Terrence replied lugubriously. Then
his face beamed. "And I thank the good Lord for it, for the
work-beasties that drag and drive the plows up and down the fields, for
the bat-eyed miner-beasties that dig the coal and gold, for all the
stupid peasant-beasties that keep my hands soft, and give power to fine
fellows like Dick there, who smiles on me and shares the loot with me,
and buys the latest books for me, and gives me a place at his board
that is plenished by the two-legged work-beasties, and a place at his
fire that is builded by the same beasties, and a shack and a bed in the
jungle under the madroño trees where never work intrudes its monstrous
head."
Evan Graham was slow in getting ready for bed that night. He was
unwontedly stirred both by the Big House and by the Little Lady who was
its mistress. As he sat on the edge of the bed, half-undressed, and
smoked out a pipe, he kept seeing her in memory, as he had seen her in
the flesh the past twelve hours, in her varied moods and guises--the
woman who had talked music with him, and who had expounded music to him
to his delight; who had enticed the sages into the discussion and
abandoned him to arrange the bridge tables for her guests; who had
nestled in the big chair as girlish as the two girls with her; who had,
with a hint of steel, quelled her husband's obstreperousness when he
had threatened to sing Mountain Lad's song; who, unafraid, had
bestridden the half-drowning stallion in the swimming tank; and who, a
few hours later, had dreamed into the dining room, distinctive in dress
and person, to meet her many guests.
The Big House, with all its worthy marvels and bizarre novelties,
competed with the figure of Paula Forrest in filling the content of his
imagination. Once again, and yet again, many times, he saw the slender
fingers of Dar Hyal weaving argument in the air, the black whiskers of
Aaron Hancock enunciating Bergsonian dogmas, the frayed coat-cuffs of
Terrence McFane articulating thanks to God for the two-legged
work-beasties that enabled him to loaf at Dick Forrest's board and
under Dick Forrest's madroño trees.
Graham knocked out his pipe, took a final sweeping survey of the
strange room which was the last word in comfort, pressed off the
lights, and found himself between cool sheets in the wakeful dark.
Again he heard Paula Forrest laugh; again he sensed her in terms of
silver and steel and strength; again, against the dark, he saw that
inimitable knee-lift of her gown. The bright vision of it was almost an
irk to him, so impossible was it for him to shake it from his eyes.
Ever it returned and burned before him, a moving image of light and
color that he knew to be subjective but that continually asserted the
illusion of reality.
Public-domain text, read in full here on John Shaqi.
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