"Why?" she demanded, with a disapproving shake of head, while he
delighted in the girlish color in her cheeks that gave the lie to her
thirty-eight years.
"Because, then," he answered, "you should have had to walk twice as far
this morning and my pleasure of watching you would have been
correspondingly increased. I've always insisted that the _holoku_ is
the most charming garment ever invented for women."
"Then it was my _holoku_ and not I," she retorted. "I see you are like
Dick--always with a string on your compliments, and lo, when we poor
sillies start to nibble, back goes the compliment dragging at the end
of the string.
"Now I want to show you the room," she hurried on, closing his
disclaimer. "Dick gave me a free hand with it. It's all mine, you see,
even to its proportions."
"And the pictures?"
"I selected them," she nodded, "every one of them, and loved them onto
the walls myself. Although Dick did quarrel with me over that
Vereschagin. He agreed on the two Millets and the Corot over there, and
on that Isabey; and even conceded that some Vereschagins might do in a
music room, but not that particular Vereschagin. He's jealous for our
local artists, you see. He wanted more of them, wanted to show his
appreciation of home talent."
"I don't know your Pacific Coast men's work very well," Graham said.
"Tell me about them. Show me that--Of course, that's a Keith, there;
but whose is that next one? It's beautiful."
"A McComas--" she was answering; and Graham, with a pleasant
satisfaction, was settling himself to a half-hour's talk on pictures,
when Donald Ware entered with questing eyes that lighted up at sight of
the Little Lady.
His violin was under his arm, and he crossed to the piano in a brisk,
business-like way and proceeded to lay out music.
"We're going to work till lunch," Paula explained to Graham. "He swears
I'm getting abominably rusty, and I think he's half right. We'll see
you at lunch. You can stay if you care, of course; but I warn you it's
really going to be work. And we're going swimming this afternoon. Four
o'clock at the tank, Dick says. Also, he says he's got a new song he's
going to sing then.--What time is it, Mr. Ware?"
"Ten minutes to eleven," the musician answered briefly, with a touch of
sharpness.
"You're ahead of time--the engagement was for eleven. And till eleven
you'll have to wait, sir. I must run and see Dick, first. I haven't
said good morning to him yet."
Public-domain text, read in full here on John Shaqi.
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