I do not think of him as an artist, though he is a great one. You do not _think_ of him.... In ordinary life we suppress half the things and more we might say. Vanity and fear are the ultimate things. In Dostoevsky the people tug and scrape at one anothers’ vain nerves with adder’s poison. He gives one the sensation of discovering one’s self and betraying one’s self. He reveals as friends talking and discussing in the small hours of the morning reveal themselves to one another. The talk may be a describing of the animal functions of the human body. But in reality it is the psychic tingling, electric vibrations which the physiological structure exerts upon mind! Mind! Mind! Dostoevsky is interested in what people actually feel. He is more with people who have written diaries than with so-called realistic novelists. One gets from him a sense of perversion of human imagination.... He is the most important of novelists; full of ripples and vibrations of imagination. Everybody has imagination. The things we do are nothing. Imagination is the only thing over which Will has no power. Nietzsche says that he got all his contemporary philosophy from Dostoevsky. He got from him even his idea of the inner circle of aristocratic souls who really rule the world, are themselves unhappy, and take with others to places which they (these others) cannot enter. Dostoevsky thinks that the secret of the world is in abandonment, perversion; Nietzsche in harness, stiffness, the gay, the strong, the beautiful, aristocratic, dominant.... Nietzsche with all his reality does not describe life as it is. Zarathustra is a dream—impossible perhaps. But Dostoevsky does describe life. Nietzsche’s man is absolutely alone—has his own hell. Dostoevsky’s has that too, but in a different way. He gives the feeling of a third person where two are alone. Do not think that Dostoevsky is a mystic. The essential thing is that you have this sense of a third person to which genius appeals. Dostoevsky is a stronger as well as a truer one than even Nietzsche himself. Nietzsche is as a skater upon the ice, a dancer upon a tight rope who remains a white, balanced figure on the surface. Dostoevsky plunges—into a darkness full of voices. You must get there by a form of perversion. Every one of his characters is incurably hurt. Nietzscheans harden their hearts and live on the surface. All Dostoevsky people are weak. He thinks that only out of weakness will redemption come; abandonment to every emotion. In that he is Dionysian.... Dostoevsky I cannot put into words. Perversion; Disease; God is Disease; God is Pain; Dostoevsky depicts how Disease gives one illumination. We have an idea that we must be well. Even Nietzsche says that. The Greeks said it ages ago. Dostoevsky says “No; I offer you a new value.” He has a lust for fools—understands the mania that people have of making fools of themselves. God is Folly; God is Cruelty—perhaps an epicene God.