On his arrival at Delhi, our traveller assiduously applied himself to
business, and having disposed of his jewelry to his satisfaction, partly
to the Great Mogul, and partly to his courtiers, repaired to court
to make his final obeisance to the monarch before his departure. The
emperor, who loved to exhibit his riches and magnificence to strangers,
particularly to those who were likely to be dazzled, and to render an
inflated account of them to the world, caused him to be informed that he
wished him to remain during the approaching festival in honour of his
birthday, when the annual ceremony of ascertaining the exact weight of
his royal person was to take place. It was now the 1st of November, and
the festival, which usually lasted five days, was to begin on the 4th;
but the preparations, which had been commenced on the 7th of September,
were now nearly completed, and all Delhi looked forward with joy to
the approaching rejoicings. The two spacious courts of the palace were
covered with lofty tents of crimson velvet, inwrought with gold; the
immense poles which sustained them, many of which were forty feet high,
and of the thickness of a ship’s mast, were cased with solid plates of
silver or gold. Around the first court, beneath a range of porticoes,
were numerous small chambers, destined for the omrahs on guard. Between
these, on the days of the festival, the spectators moved into the amkas,
or great hall of audience, which, together with the peacock throne, I
shall describe in the life of Bernier. The emperor, being seated upon his
throne, a troop of the most skilful dancing-girls was brought in, who,
with gestures and motions more voluptuous than the ancient performers of
the Chironomia ever practised, amused the imagination of the monarch and
his courtiers, and excited the amazement of foreigners at the licenses
of an Asiatic court. On both sides of the throne were fifteen horses,
with bridles and housings crusted with diamonds, rubies, pearls, and
emeralds, and held each by two men; and shortly after the commencement of
the ceremony, seven war-elephants, of the largest size, caparisoned in
the most gorgeous style, were led in one after the other, and caused to
make the circuit of the hall: when they came opposite the throne, each
in his turn made his obeisance to the sovereign, by thrice lowering his
trunk to the floor, and accompanying each movement by a loud and piercing
cry. This exhibition being concluded, the emperor arose, and retired with
three or four of the principal eunuchs into the harem. At an auspicious
moment during the festival, a large pair of scales was brought into the
amkas, the emperor’s weight was ascertained, and if greater than on the
preceding year, singular rejoicings and triumphant shouts took place;
but if, on the contrary, his majesty was found to be less unwieldy than
heretofore, the event was regarded with apprehension and sorrow.
Public-domain text, read in full here on John Shaqi.
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