Externally, however, the monster appeared to be the _beau idéal_ of
imperial splendour. A harem of sixty women, selected for their
resplendent beauty; palaces of barbaric grandeur; horses covered with
trappings set with pearls, rubies, emeralds, and diamonds of prodigious
size; and an army of two hundred thousand men, to maintain which his
country had been ruined, and India despoiled, according to the most
moderate computation, of one hundred and seventy millions sterling. Such
was his condition. Not long after his arrival Hanway obtained a decree
of the shah “that the particulars of his loss should be delivered to
Behbud Khan, the shah’s general, now at Astrabad, who was to return such
parts of the goods as could be recovered, and make up the deficiency out
of the sequestered estates of the rebels.”
Having obtained this decree, with which, as it took him back to
Astrabad, he was not altogether satisfied, Hanway quitted the camp of
Nadir on the 27th of March. The spring in those southern regions being
already advanced, the bright pure blue of the sky, “the falls of water
from the rocks, the stupendous mountains, far higher than any he had
seen in Europe, rising gradually one above another, some with their
summits covered with snow, and others concealing their heads in the
clouds, formed a delightful scene. The vines were full of foliage, the
orange groves perfumed the air with their fragrance, and the gardens
were in full blossom.” The beauty of the landscape, however, was almost
entirely the work of nature; for the husbandman, not knowing who might
reap the fruits of his industry, had ceased to cultivate the earth, or
cultivated it with a sparing and unwilling hand. The curse of despotism,
the bane of genius and energy, submission to which is the severest evil
humanity can suffer, was deeply felt throughout the land, where,
however, symptoms of a most salutary and just revenge, the sacred duty
of the oppressed, were beginning to manifest themselves in a very
striking manner.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account