she starts suddenly out of the dangerous track, and plunges into the
description of an opera and a German comedy. Here she is perfectly at
her ease; and the coarseness of the subject, which she affects to
condemn, so evidently delights her, that she describes in the broadest
terms an action the most outrageously gross, perhaps, that was ever
endured on the stage.
It has often been remarked, that the interest of a book of travels
arises not so much from the newness and strangeness of the objects
described, as from the peculiar light which is reflected upon them from
the mind of the traveller. This fact is strikingly exemplified in the
case of Lady Mary, who, though journeying through places often visited,
throws so much of energy and vivacity, and frequently of novelty, into
her concise yet minute sketches, that we never pause to inquire whether
the objects delineated now come before us for the first time or not.
Besides, her sex and the advantages she enjoyed brought many
peculiarities both of costume and manners within the range of her
observation, of which ordinary travellers can know nothing, except from
hearsay, or from points of view too distant to admit of accurate
observation. Upon her being presented at court she was struck—as who
would not?—by the extravagant appearance of the ladies, who stalked
about with fabrics of gauze and ribands a yard high upon their heads,
and whalebone petticoats, which with pleasant exaggeration she describes
as covering whole acres of ground. The reigning empress perfectly
enraptured her with her beauty; and her admiration supplies her with so
much eloquence, that a complete picture is wrought out. In other
respects the court of Vienna was very much like other contemporary
courts—that is, overflowing with every variety of moral turpitude,
except that the Viennais had not the hypocrisy to pretend to be
virtuous.
Public-domain text, read in full here on John Shaqi.
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