Hâte toi, rends la vie à leur gloire éclipsée
Pour prix de tes travaux, dans un nouveau Lycée
Un jour je te promets la couronne des arts.
Il dit et dans le fond de leurs tombeau épars,
Des Platon, des Solon les ombres l’entendirent:
Du jeune voyageur tous les sens tressaillirent:
Aussitôt dans ces lieux, berceau des arts naissans,
Accourent à sa voix les arts reconnaissans;
Le Dessin le premier prend son crayon fidèle,
Et, tel qu’un tendre fils, lorsque la mort cruelle
D’une mère adorée a terminé le sort
A ses restes sacrés s’attache avec transport,
Demande à l’air, au temps d’épargner sa poussière
Et se plaît à tracer une image si chère;
Ainsi par l’amour même instruit dans ces beaux lieux
Le Dessin, de la Grèce enfant ingénieux,
Va chercher, va saisir, va tracer son image;
Et belle encor, malgré les injures de l’âge
Avec ses monumens, ses héros, et ses dieux,
La Grèce reparaît tout entière à nos yeux.
Shortly after this Choiseul-Gouffier was appointed ambassador of
France to the Ottoman Porte, and, in selecting the companions of his
mission, was not unmindful of Delille. The poet, therefore, accompanied
him to Constantinople; and according to the testimony of both, many
years after their return, nothing could exceed the delight of their
residence in the East, and their visits to the spots celebrated in
Grecian story. Choiseul-Gouffier would, from all accounts, appear to
have been a man of enlarged views, friendly towards all nations, as
well as towards every art, and anxious to promote the general interests
of civilization. His agreeable manners enabled him quickly to acquire
the confidence of Halil Pasha, the Turkish grand vizier, and of Prince
Mauro Cordato, first dragoman of the Porte; and he succeeded in
inspiring both with a desire to introduce among the Turks the arts and
civilization of Europe. By his advice, engineer, artillery, and staff
officers were invited from France to Constantinople, to instruct the
Ottomans in the theory and practice of war. The impulse once given,
the grand vizier, seconded by the dragoman, who would appear to have
possessed unusual influence, repaired the fortifications in the various
strong cities of the empire, improved the system of casting cannon, and
considerably ameliorated the discipline of the Turkish army. Shortly
the public saw with surprise a fine seventy-four, constructed by Leroy,
after the most approved European method, launched from the docks of
Constantinople; and the system thus introduced has ever since been
followed in all the docks of the empire. To crown all these efforts,
our traveller prevailed on the vizier to send thirty Turkish youths to
receive their education in Paris; and had not this part of the scheme
been defeated by religious fanaticism, there is no foreseeing to how
great an extent this measure might have influenced the destinies of
Turkey.
Public-domain text, read in full here on John Shaqi.
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