The guides, fearful lest their presence among the traveller’s
attendants might occasion a war between these bandits and their
nation, here demanded permission to remain behind during the attack
upon the kraal, and their request was unhappily complied with. Le
Vaillant himself, conceiving that darkness would be favourable to
his views, resolved to defer the execution of his project until
night. They accordingly encamped upon the spot, and a little after
midnight set off in the greatest silence. “Soon afterward,” says he,
“we perceived, at the distance of about three-quarters of a league,
the light of several fires; and advancing a little farther, we heard
songs, cries of joy, and immoderate shouts of laughter. The bandits
were amusing themselves, and making good cheer at my expense. Their
clamour, however, had one good effect; for my dogs began to set up so
loud a barking on drawing near the kraal, that it became necessary to
muzzle them, so that but for the frightful tumult within we should
infallibly have been betrayed. I was now, therefore, in a state of
warfare with savages, and resolved to employ against them the resources
of art, should they oppose me with superior force. The moment not being
favourable for commencing the attack, I put it off until the break
of day, and in order to conduct it in the most advantageous manner,
I intrenched myself and my troop behind a copse, which, by affording
us an impenetrable shield against the attacks of our enemies, would
render our own doubly terrible. The copse, in fact, was sufficiently
extensive to contain and conceal all my musketeers; and each of us, by
pushing aside or breaking off a few branches, immediately formed a sort
of porthole through which we could fire. In this position we patiently
and silently awaited the moment for action. The villains themselves
appeared, by their conduct, to favour our views. Their noisy merriment
died away by degrees; and at length, yielding to fatigue, they retired
into their huts to rest, and the noise entirely ceased.
Public-domain text, read in full here on John Shaqi.
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