The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)Vasari, Giorgio
History
The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
After this he put a brush in the spout from
which the water flows, and there left it. When the nuns returned to
see the work through an opening where he had torn the canvas, they
saw the supposed master in his attire. They believed that he was
working there to the utmost of his power, and would do much better
than the mere boy had done, so they were several days thinking of
nothing else. At last they were anxious to see what beautiful things
the master had made. Fifteen days had passed since Buonamico had set
foot in the place, and one night they went to see the paintings,
thinking that the master could no longer be there. They were covered
with confusion and blushes when one bolder than the rest discovered
the nature of the solemn master, who had not done a stroke in the
fortnight. When they learned that Buonamico had treated them
according to their deserts, and that the works which he had made were
excellent, they recalled him and he returned with much laughter and
joking to take up the work, making them see that there is a
difference between men and dummies, and that works must not always be
judged by the clothes of those who produce them. After a few days he
finished one subject there, with which they were very delighted since
it appeared to them to be satisfactory in all its parts, except that
the figures in the flesh colouring seemed to them to be rather too
pale. When Buonamico heard this and learning that the abbess had the
best vernaccia in Florence, which served for the sacrifice of the
mass, he told them that in order to remedy such a defect, nothing
would be serviceable except to temper the colours with a good
vernaccia, for if the cheeks and other flesh parts of the figures
were touched with this, they would become red and very freshly
coloured. When the good sisters heard this they believed it
completely and afterwards kept him supplied with the best vernaccia
so long as the work lasted, while he on his part made merry and
thenceforward with his ordinary colours rendered his figures more
fresh and brilliant.
Public-domain text, read in full here on John Shaqi.
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