The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)Vasari, Giorgio
History
The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Buonconte Monaldeschi, at that time lord and tyrant of the
city. Some further affirm that Pietro made some sculptures with
success, because he excelled in whatever he set himself to do, and
that the Crucifix which is in the great church of S. Paolo outside
Rome is by him. This is said to be the same one that spoke to St
Brigida in the year 1370, and we are bound to believe it. By the same
hand were some other things in that style which were thrown down when
the old church of St Peter's was destroyed to make the new one.
Pietro was very diligent in all his efforts and endeavoured steadily
to do himself honour and to acquire fame in art. Not only was he a
good Christian, but very devoted and kind to the poor, and beloved
for his goodness, not only in his native city of Rome, but by every
one who knew him or his works. In his extreme old age he devoted
himself so thoroughly to religion, leading an exemplary life, that he
was considered almost a saint. Thus there is no cause for marvel if
his crucifix spoke to the saint, as is said, nor that a Madonna, by
his hand, has worked and still works miracles. I do not propose to
speak of this work, although it is famous throughout Italy, and
although it is all but certain that it is by Pietro's hand by the
style of the painting, but Pietro's admirable life and piety to God
are worthy of imitation by all men. Let no one believe by this that
it is impossible to attain to honoured rank without good conduct, and
without the fear and grace of God, for constant experience proves the
contrary. Giovanni of Pistoia was a pupil of Pietro, and did some
things of no great importance in his native place. Pietro died at
length in Rome, at the age of eighty-five, of a malady in his side
caused by working at a wall, by the damp and by standing continually
at that exercise. His paintings were executed about 1364. He was
buried in S. Paolo outside Rome, with honour, and with this epitaph:
"Quantum Romans Petrus decus addidit urbi
Pictura, tantum, dat decus ipse polo."
Simone Martini and Lippo Memmi, Painters of Siena.
Public-domain text, read in full here on John Shaqi.
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