Now Taddeo always adopted Giotto's style, but did not greatly improve it, except in the colouring, which he made fresher and more vivid. Giotto had made such efforts to overcome other difficulties of this art, that although he considered colouring also, yet it was not granted to him to master this completely. Taddeo, on the other hand, profiting by his master's labours, had an easier task, and was able to add something of his own in improving the colouring. Taddeo was buried by Agnolo and Giovanni his sons in S. Croce, in the first cloister, and in the tomb which he had made for Gaddo his father. He was much honoured in the verses of the learned of the time as a man who had deserved much for his character, and because he had, besides his pictures, successfully completed many structures very useful to his city. In addition to the works already mentioned, he had with care and diligence completed the campanile of S. Maria del Fiore from the design of his master Giotto. This campanile was so constructed that it would be impossible to join stones with more care, or to make a tower which should be finer in the matter of ornament, expense, and design. The epitaph made for Taddeo was as follows: Hoc uno dici poterat Florentia felix Vivente: at certa est non potuisse mori. Taddeo's method of designing was very broad and bold, as may be seen in our book, which contains a drawing by his hand of the scene which he did in the chapel of St Andrew in S. Croce, at Florence. Andrea di Cione Orcagna, Painter, Sculptor, and Architect of Florence.