The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)Vasari, Giorgio
History
The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Whilst Jacopo was engaged in bringing water to the city he did not
abandon his painting, and in the palace which was in the old citadel,
destroyed in our day, he did many scenes of the deeds of the Bishop
Guide and of Piero Sacconi, who had done great and notable things for
the city both in peace and war. He also did the story of St Matthew
under the organ in the Pieve, and a considerable number of other
works. By these paintings, which he did in every part of the city, he
taught Spinello of Arezzo the first principles of that art which he
himself had learned from Agnolo, and which Spinello afterwards taught
to Bernardo Daddi, who worked in the city and adorned it with many
fine paintings, which, united to his other excellent qualities,
brought him much honour among his fellow-citizens, who employed him a
great deal in magistracies and other public affairs. The paintings of
Bernardo were numerous and highly valued, first in St Croce, the
chapel of St Laurence and those of St Stephen of the Pulci and
Berardi, and many other paintings in various other parts of that
church. At length, after he had painted some pictures on the inside
of the gates of the city of Florence, he died, full of years, and was
buried honourably in S. Felicita in the year 1380.
To return to Jacopo. In the year 1350 was founded the company and
brotherhood of the Painters. For the masters who then flourished,
both those who practised the old Byzantine style and those who
followed the new school of Cimabue, seeing that they were numerous,
and that the art of design had been revived in Tuscany and in their
own Florence, created this society under the name and protection of
St Luke the Evangelist, to render praise and thanks to God in the
sanctuary of that saint, to meet together from time to time,
remembering the welfare of their souls as well as of the bodies of
those who might be in need of assistance at various times. This is
still the practice of many of the Arts in Florence, but it was much
more common in former times. Their first sanctuary was the principal
chapel of the hospital of S. Maria Nuova, which was granted them by
the family of the Portinari. The first governors of the company were
six in number, with the title of captains, and in addition there were
two councillors and two chamberlains. This may be seen in the old
book of the company begun then, the first chapter of which opens
thus:
"These articles and regulations were agreed upon and drawn up by the
good and discreet men of the art of the Painters of Florence, and in
the time of Lapo Gucci, painter; Vanni Cinuzzi, painter; Corsino
Buonaiuti, painter; Pasquino Cenni, painter; Segnia d'Antignano,
painter. The councillors were Bernardo Daddi and Jacopo di Casentino,
painters. Consiglio Gherardi and Domenico Pucci, painters, the
chamberlains."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account