Now to return to Agostino and Agnolo, they had many pupils who produced many works after them in architecture and sculpture in Lombardy and other places in Italy. Among them was Jacopo Lanfrani of Venice, who founded S. Francesco of Imola, and executed the sculptures for the principal door, where he carved his name and the date, 1343; for the church of S. Domenico at Bologna the same Master Jacopo made a marble tomb for Gio. Andrea Calduino, doctor of law and secretary of Pope Clement VI., and another very well executed also in marble and in the same church for Taddeo Peppoli, protector of the people and of justice at Bologna. In the same year, that is to say in 1347, after the completion of this tomb, or shortly before, Master Jacopo returned to his native Venice and there founded the church of S. Antonio, which was originally of wood, at the request of a Florentine abbot of the ancient family of the Abati, M. Andrea Dandolo, being doge at the time. This church was completed in the year 1349. Then again Jacobello and Pietro Paolo, Venetians, who were pupils of Agostino and Agnolo, erected in S. Domenico at Bologna a marble tomb for M. Giovanni da Lignano, doctor of laws, in the year 1383. All these and many other sculptors continued for a long space of time to employ the same manner, so that they filled all Italy with examples of it. It is further believed that the native of Pesaro, who besides many other things did the door of the church of S. Domenico in his native town, with the three marble figures of God the Father, St John the Baptist and St Mark, was a pupil of Agostino and Agnolo, and the style of the work gives colour to the supposition. This work was completed in the year 1385. But since it would take much too long to enter into particulars of the works made in this style by many masters of the time, I will let what I have said, in this general way, suffice, chiefly because they have not exercised a great influence upon our arts. Yet I thought it good to mention these men, because even if they do not deserve a long notice, yet they are not so insignificant as to be altogether passed over in silence. Stefano, Painter of Florence, and Ugolino of Siena.