The Lives of the Poets of Great Britain and Ireland (1753) Volume I.Cibber, Theophilus
General
The Lives of the Poets of Great Britain and Ireland (1753) Volume I.
Cibber, Theophilus
Poets, English -- Biography -- Early works to 1800; Poets, Irish -- Biography -- Early works to 1800
The Alexandræan Tragedy is built upon the differences about the
succession, that rose between Alexander's captains after his decease;
he has borrowed many thoughts, and translated whole speeches from
Seneca, Virgil, &c. In this play his lordship seems to mistake the
very essence of the drama, which consists in action, for there is
scarce one action performed in view of the audience, but several
persons are introduced upon the stage, who relate atchievements done
by themselves and others: the two first acts are entirely foreign to
the business of the play. Upon the whole it must be allowed that his
lordship was a very good historian, for the reader may learn from it a
great deal of the affairs of Greece and Rome; for the plot see Quintus
Curtius, the thirteenth Book of Justin, Diodorus Siculus, Jofephus,
Raleigh's History, &c. The Scene is in Babylon.
Cræsus, a Tragedy; the Scene of this Play is laid in Sardis, and is
reckoned the most moving of the four; it is chiefly borrowed from
Herodotus, Clio, Justin, Plutarch's Life of Solon, Salian, Torniel. In
the fifth Act there is an Episode of Abradates and Panthæa, which the
author has taken from Xenophon's Cyropædeia, or The Life and Education
of Cyrus, lib. vii. The ingenious Scudery has likewise built upon this
foundation, in his diverting Romance called the Grand Cyrus.
Darius, a Tragedy; this was his lordship's first dramatic performance;
it was printed at Edinburgh in 4to. in the year 1603; it was first
composed of a mixture of English and Scotch dialect, and even then was
commended by several copies of verses. The Scene of this Play is
laid in Babylon. The author afterwards not only polished his native
language, but altered the Play itself; as to the plot consult Q.
Curtius, Diodorus Siculus, Justin, Plutarch's Life of Alexander, &c.
Julius Cæsar, a Tragedy. In the fifth Act of this Play, my lord brings
Brutus, Cassius, Cicero, Anthony, &c. together, after the death of
Cæsar, almost in the same circumstances Shakespear has done in his
Play of this name; but the difference between the Anthony and Brutus
of Shakespear, and these characters drawn by the earl of Stirling, is
as great, as the genius of the former transcended the latter. This is
the most regular of his lordship's plays in the unity of action. The
story of this Play is to be found in all the Roman Histories written
since the death of that Emperor.
Public-domain text, read in full here on John Shaqi.
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