The Lives of the Poets of Great Britain and Ireland (1753) Volume II.Cibber, Theophilus
History
The Lives of the Poets of Great Britain and Ireland (1753) Volume II.
Cibber, Theophilus
Poets, English -- Biography -- Early works to 1800; Poets, Irish -- Biography -- Early works to 1800
That Mrs. Philips might be displeased that her Poems were published
without her consent, is extremely probable, as by these means they
might appear without many graces, and ornaments which they otherwise
would have possessed; but that it threw her into a fit of illness, no
body who reads the human heart can believe. Surreptitious editions are
a sort of compliment to the merit of an author; and we are not to
suppose Mrs. Philips so much a saint, as to be stript of all vanity,
or that natural delight, which arises from the good opinion of others,
however aukwardly it may be discovered; and we may venture to affirm,
that Mrs. Philips's illness proceeded from some other cause, than what
is here assigned.
The reputation of her abilities procured her the esteem of many
persons of distinction and fashion, and upon her going into Ireland
with the viscountess of Duncannon, to transact her husband's affairs
there, her great merit soon made her known to those illustrious peers,
Ormond, Orrery, and Roscommon, and many other persons of the first
fashion, who shewed her singular marks of their esteem. While Mrs.
Philips remained in that kingdom, at the pressing importunity of the
abovementioned noblemen, but particularly lord Roscommon, she
translated, from the French of Corneille, the tragedy of Pompey, which
was brought upon the Irish stage somewhat against her inclination;
however it was several times acted in the new theatre there, with very
great applause in the years 1663 and 1664, in which last year it was
made public. It was afterwards acted with equal applause at the Duke
of York's theatre, 1678. This play is dedicated to the Countess of
Cork. Lord Roscommon wrote the Prologue, wherein he thus compliments
the ladies and the translator.
But you bright nymphs, give Caesar leave to woo,
The greatest wonder of the world, but you;
And hear a muse, who has that hero taught
To speak as gen'rously, as e'er he fought;
Whose eloquence from such a theme deters
All tongues but English, and all pens but hers.
By the just fates your sex is doubly blest,
You conquer'd Caesar, and you praise him best.
She also translated from the French of Corneille, a Tragedy called
Horace; Sir John Denham added a fifth Act to this Play, which was
acted at Court by Persons of Quality. The Duke of Monmouth spoke the
Prologue, in which are these lines.
So soft that to our shame we understand
They could not fall but from a lady's hand.
Thus while a woman Horace did translate,
Horace did rise above the name of fate.
Public-domain text, read in full here on John Shaqi.
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