The Lives of the Poets of Great Britain and Ireland (1753) Volume III.Cibber, Theophilus
General
The Lives of the Poets of Great Britain and Ireland (1753) Volume III.
Cibber, Theophilus
Poets, English -- Biography -- Early works to 1800; Poets, Irish -- Biography -- Early works to 1800
Was descended of a Family of no mean rank in the North of Ireland; we
have been informed that his father was dean of Armagh, but we have not
met with a proper confirmation of this circumstance; but it is on
all hands agreed, that he was the son of a clergyman, and born at
London-Derry in that kingdom, in the year 1678, as appears from Sir
James Ware's account of him. There he received the rudiments of
education, and discovered a genius early devoted to the Muses; Before he
was ten years of age he gave specimens of his poetry, in which, force of
thinking, and elegance of turn and expression are manifest; and if
the author, who has wrote Memoirs of his life, may be credited, the
following stanza's were written by him at that age,
The pliant soul of erring youth,
Is like soft wax, or moisten'd clay;
Apt to receive all heavenly truth
Or yield to tyrant ill the sway.
Slight folly in your early years,
At manhood may to virtue rise;
But he who in his youth appears
A fool, in age will ne'er be wise.
His parents, it is said, had a numerous family, so could bestow no
fortune upon him, further than a genteel education. When he was
qualified for the university, he was, in 1694, sent to Trinity College
in Dublin: here, by the progress he made in his studies, he acquired a
considerable reputation[1], but it does not appear, that he there took
his degree of bachelor of arts; for his disposition being volatile and
giddy, he soon grew weary of a dull collegiate life; and his own opinion
of it, in that sense, he afterwards freely enough displayed in several
parts of his comedies, and other writings. Besides, the expence of it,
without any immediate prospect of returns, might be inconsistent with
his circumstances. The polite entertainments of the town more forcibly
attracted his attention, especially the diversions of the Theatre, for
which, he discovered a violent propension. When Mr. Ashbury, who then
was manager of Dublin Theatre, had recruited his company with the
celebrated Mr. Wilks (who had for some seasons engaged with Mr.
Christopher Rich at Drury-Lane, from whom his encouragement was not
equal to his merit) Farquhar having acquaintance with him, Mr. Wilks,
was soon introduced upon the stage by his means, where he did not long
continue, nor make any considerable figure. His person was sufficiently
advantageous, he had a ready memory, proper gesture, and just elocution,
but then he was unhappy in his voice, which had not power enough to
rouse the galleries, or to rant with any success; besides, he was
defective in point of assurance, nor could ever enough overcome his
natural timidity. His more excellent talents however might, perhaps,
have continued the player at Dublin, and lost the poet at London; but
for an accident, which was likely to turn a feigned tragedy into a real
one: The story is this.
Public-domain text, read in full here on John Shaqi.
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