The models, then, which the Romans derived from Grecian poetry, were the finest productions of human genius; their incentives to emulation were the strongest that could actuate the heart. With ardour, therefore, and industry in composing, and with unwearied patience in polishing their compositions, they attained to that glorious distinction in literature, which no succeeding age has ever rivalled. TIBERIUS NERO CAESAR. (192) I. The patrician family of the Claudii (for there was a plebeian family of the same name, no way inferior to the other either in power or dignity) came originally from Regilli, a town of the Sabines. They removed thence to Rome soon after the building of the city, with a great body of their dependants, under Titus Tatius, who reigned jointly with Romulus in the kingdom; or, perhaps, what is related upon better authority, under Atta Claudius, the head of the family, who was admitted by the senate into the patrician order six years after the expulsion of the Tarquins. They likewise received from the state, lands beyond the Anio for their followers, and a burying-place for themselves near the capitol [284]. After this period, in process of time, the family had the honour of twenty-eight consulships, five dictatorships, seven censorships, seven triumphs, and two ovations. Their descendants were distinguished by various praenomina and cognomina [285], but rejected by common consent the praenomen of (193) Lucius, when, of the two races who bore it, one individual had been convicted of robbery, and another of murder. Amongst other cognomina, they assumed that of Nero, which in the Sabine language signifies strong and valiant.