But if you rank me with the choir, Who tuned with art the Grecian lyre; Swift to the noblest heights of fame, Shall rise thy poet's deathless name.--Francis. Even Sallust, a historian, in his introduction to Catiline's Conspiracy, scruples not to insinuate the same kind of ambition. Quo mihi rectius videtur ingenii quam virium opibus gloriam quaerere; et quoniam vita ipsa, qua fruimur, brevis est, memoriam nostri quam maxume longam efficere. [283] Another circumstance of great importance, towards the production of such poetry as might live through every age, was the extreme attention which the great poets of this period displayed, both in the composition, and the polishing of their works. Virgil, when employed upon the Georgics, usually wrote in the morning, and applied much of the subsequent part of the day to correction and improvement. He compared himself to a bear, that licks her cub into form. If this was his regular practice in the Georgics, we may justly suppose that it was the same in the Aeneid. Yet, after all this labour, he intended to devote three years entirely to its farther amendment. Horace has gone so far in recommending careful correction, that he figuratively mentions nine years as an adequate period for that purpose. But whatever may be the time, there is no precept which he urges either oftener or more forcibly, than a due attention to this important subject. (191) Saepe stylum vertas, iterum quae digna legi sint Scripturus.--Sat. i. x. Would you a reader's just esteem engage? Correct with frequent care the blotted page.--Francis. --------Vos, O Pompilius sanguis, carmen reprehendite, quod non Multa dies et multa litura coercuit, atque Perfectum decies non castigavit ad uuguem. De. Art. Poet. Sons of Pompilius, with contempt receive, Nor let the hardy poem hope to live, Where time and full correction don't refine The finished work, and polish every line.--Francis. To the several causes above enumerated, as concurring to form the great superiority of the Augustan age, as respects the productions of literature, one more is to be subjoined, of a nature the most essential: the liberal and unparalleled encouragement given to distinguished talents by the emperor and his minister. This was a principle of the most powerful energy: it fanned the flame of genius, invigorated every exertion; and the poets who basked in the rays of imperial favour, and the animating patronage of Mecaenas, experienced a poetic enthusiasm which approached to real inspiration. Having now finished the proposed explanation, relative to the celebrity of the Augustan age, we shall conclude with recapitulating in a few words the causes of this extraordinary occurrence.