Suetonius informs us, that Augustus, in the latter part of his life, contracted a vicious inclination for the enjoyment of young virgins, who were procured for him from all parts, not only with the connivance, but by the clandestine management of his consort Livia. It was therefore probably with one of those victims that he was discovered by Ovid. Augustus had for many years affected a decency of behaviour, and he would, therefore, naturally be not a little disconcerted at the unseasonable intrusion of the poet. That Ovid knew not of Augustus's being in the place, is beyond all doubt: and Augustus's consciousness (182) of this circumstance, together with the character of Ovid, would suggest an unfavourable suspicion of the motive which had brought the latter thither. Abstracted from the immorality of the emperor's own conduct, the incident might be regarded as ludicrous, and certainly was more fit to excite the shame than the indignation of Augustus. But the purpose of Ovid's visit appears, from his own acknowledgment, to have been not entirely free from blame, though of what nature we know not: Non equidem totam possum defendere culpam: Sed partem nostri criminis error habet. De Trist. Lib. iii. Eleg. 5. I know I cannot wholly be defended, Yet plead 'twas chance, no ill was then intended.--Catlin. Ovid was at this time turned of fifty, and though by a much younger man he would not have been regarded as any object of jealousy in love, yet by Augustus, now in his sixty-ninth year, he might be deemed a formidable rival. This passion, therefore, concurring with that which arose from the interruption or disappointment of gratification, inflamed the emperor's resentment, and he resolved on banishing to a distant country a man whom he considered as his rival, and whose presence, from what had happened, he never more could endure. Augustus having determined on the banishment of Ovid, could find little difficulty in accommodating the ostensible to the secret and real cause of this resolution. No argument to establish the date of publication, can be drawn from the order in which the various productions of Ovid are placed in the collection of his works: but reasoning from probability, we should suppose that the Ars Amandi was written during the period of his youth; and this seems to be confirmed by the following passage in the second book of the Fasti: Certe ego vos habui faciles in amore ministros; Cum lusit numeris prima juventa suis. [280] That many years must have elapsed since its original publication, is evident from the subsequent lines in the second book of the Tristia: Nos quoque jam pridem scripto peccavimus uno. Supplicium patitur non nova culpa novum. Carminaque edideram, cum te delicta notantem Praeterii toties jure quietus eques. (183) Ergo, quae juveni mihi non nocitura putavi Scripta parum prudens, nunc nocuere seni? [281]