The chapel referred to was a sombre edifice over the graves of the
Daltons. Beneath it were the vaults where reposed the remains of Edith's
ancestors. The chapel was used for the celebration of burial rites. It
was in this place that the marriage was to take place. Edith, in her
gloom, thought the place an appropriate one. Let the marriage be there,
she thought--in that place where never anything but burials has been
known before. Could she have changed the one service into the other, she
would have done so.
And yet she would not go back, for it was the least of two evils. The
other alternative was captivity under the iron hand of Wiggins--Wiggins
the adventurer, the forger, the betrayer of her father, whose power over
herself was a perpetual insult to that father's memory--a thing
intolerable, a thing of horror. Why should she not give herself to the
man who loved her, even if her own love was wanting, when such an act
would free her from so accursed a tyranny?
[Illustration: “SHE SAW THROUGH THE GLOOM A FIGURE”]
Agitated and excited, she lingered through the hours of the day after
parting with Dudleigh. Night came, but brought no rest; and the
following day dawned, and the irrevocable hour drew nigh. That day was
one filled with strange fears, chief among which was the thought that
Wiggins might discover all, or suspect it, and arrest her flight. But
time passed, and evening came, and Wiggins had done nothing.
All was still. The house was always still, and surrounded her--a vast
solitude. Mrs. Dunbar was in her own room: it was always her habit to
retire early. Wiggins was far away, at the west end of the Hall. Hugo
was in his remote quarters in the attic. The vigilance which her keepers
maintained by day was relaxed at night, for they never suspected her of
any design of leaving the house after dark. Her interview with Dudleigh
must have been seen and reported, but no action that she was aware of
had been taken. Perhaps Wiggins was waiting for him to make another
call, when he would step forth and formally lock her up in her room.
And now, as Edith prepared to carry her plan into execution, there was
nothing all around but the most profound stillness. Underneath the
story on which her room was there extended a hall, at the east end of
which there was a private stairway leading down to a small door which
opened out into the park. Leaving her room noiselessly, she descended to
the lower hall, traversed it, and descended the stairway to the door. It
was secured by a bolt only. This she drew back as noiselessly as
possible--not, however, without an unpleasantly loud grating sound. The
door opened without much difficulty. She passed through it. She shut it
after her. Then she turned to step down upon the grass. She saw through
the gloom a figure. She recognized it. It was Dudleigh.
Public-domain text, read in full here on John Shaqi.
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