And with these words Mrs. Dunbar broke down. Once more her head sank,
and burying her face in her hands, she wept and sobbed convulsively.
Wiggins looked at her, and as he looked there came over his face an
expression of unutterable pity and sympathy, but he said not a word. As
he looked at her he leaned his head on his hand, and a low, deep,
prolonged sigh escaped him, that seemed to come from the depths of his
being.
They sat in silence for a long time. Mrs. Dunbar was the first to break
that silence. She roused herself by a great effort, and said,
“Have you any idea what his object may be in coming here, or what
Lionel's object may be in sending him?”
“Well,” said Wiggins, “I don't know. I thought at first when I saw him
that Lionel had some idea of looking after the estate, to see if he
could get control of it in any way; but this call seems to show that
Edith enters into their design in some way. Perhaps he thinks of paying
attentions to her,” he added, in a tone of bitterness.
“And would that be a thing to be dreaded?” asked Mrs. Dunbar, anxiously.
“Most certainly,” said Wiggins.
“Would you blame the son for the misdeeds of the father?” she asked, in
the same tone.
“No,” said Wiggins; “but when the son is so evidently a counterpart of
the father, I should say that Edith ought to be preserved from him.”
“I don't know,” said Mrs. Dunbar. “I'm afraid you judge too hastily. It
may be for the best. Who knows?”
“It can only be for the worst,” said Wiggins, with solemn emphasis.
“There is a woman with him,” said Mrs. Dunbar, suddenly changing the
conversation. “Who can she be?”
“A woman? What kind of a woman?”
“Elderly. I never saw her before. He calls himself Mowbray, and she is
Mrs. Mowbray. What can be the meaning of that? The woman seems old
enough to be his mother.”
“Old?” said Wiggins. “Ah--Mowbray--h'm! It must be some design of his on
Edith. He brings this woman, so as to make a formal call. He will not
tell her who he is. I don't like the look of this, and, what is worse, I
don't know what to do. I could prohibit his visits, but that would be to
give up my plans, and I can not do that yet. I must run the risk. As for
Edith, she is mad. She is beyond my control. She drives me to despair.”
“I do not see what danger there is for Edith in his visits,” said Mrs.
Dunbar, in a mournful voice.
“Danger!” said Wiggins. “A man like that!”
“You are judging him too hastily,” said Mrs. Dunbar.
Wiggins looked at her in silence for a moment, and then said,
“I hope I am, I'm sure, for your sake; but I'm afraid that I am right
and that you are wrong.”
After some further conversation Mrs. Dunbar retired, carrying with her
in her face and in her heart that deep concern and that strong agitation
which had been excited by the visit of Mowbray. Edith, when she next saw
her, noticed this, and for a long time afterward wondered to herself why
it was that such a change had come over the housekeeper.
Public-domain text, read in full here on John Shaqi.
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