The Lock and Key Library: Classic Mystery and Detective Stories: Old Time English
General
The Lock and Key Library: Classic Mystery and Detective Stories: Old Time English
Detective and mystery stories; Fiction; Ghost stories
These resolutions were put to desperate trial that very night.
Just next to Stanton's apartment were lodged two most uncongenial
neighbors. One of them was a puritanical weaver, who had been
driven mad by a single sermon from the celebrated Hugh Peters, and
was sent to the madhouse as full of election and reprobation as he
could hold,--and fuller. He regularly repeated over the five
points while daylight lasted, and imagined himself preaching in a
conventicle with distinguished success; toward twilight his visions
were more gloomy, and at midnight his blasphemies became horrible.
In the opposite cell was lodged a loyalist tailor, who had been
ruined by giving credit to the cavaliers and their ladies,--(for at
this time, and much later, down to the reign of Anne, tailors were
employed by females even to make and fit on their stays),--who had
run mad with drink and loyalty on the burning of the Rump, and ever
since had made the cells of the madhouse echo with fragments of the
ill-fated Colonel Lovelace's song, scraps from Cowley's "Cutter of
Coleman street," and some curious specimens from Mrs. Aphra Behn's
plays, where the cavaliers are denominated the heroicks, and Lady
Lambert and Lady Desborough represented as going to meeting, their
large Bibles carried before them by their pages, and falling in
love with two banished cavaliers by the way. The voice in which he
shrieked out such words was powerfully horrible, but it was like
the moan of an infant compared to the voice which took up and
reechoed the cry, in a tone that made the building shake. It was
the voice of a maniac, who had lost her husband, children,
subsistence, and finally her reason, in the dreadful fire of
London. The cry of fire never failed to operate with terrible
punctuality on her associations. She had been in a disturbed
sleep, and now started from it as suddenly as on that dreadful
night. It was Saturday night too, and she was always observed to
be particularly violent on that night,--it was the terrible weekly
festival of insanity with her. She was awake, and busy in a moment
escaping from the flames; and she dramatized the whole scene with
such hideous fidelity, that Stanton's resolution was far more in
danger from her than from the battle between his neighbors
Testimony and Hothead. She began exclaiming she was suffocated by
the smoke; then she sprung from her bed, calling for a light, and
appeared to be struck by the sudden glare that burst through her
casement.--"The last day," she shrieked, "The last day! The very
heavens are on fire!"--"That will not come till the Man of Sin be
first destroyed," cried the weaver; "thou ravest of light and fire,
and yet thou art in utter darkness.--I pity thee, poor mad soul, I
pity thee!" The maniac never heeded him; she appeared to be
scrambling up a staircase to her children's room. She exclaimed
she was scorched, singed, suffocated; her courage appeared to fail,
and she retreated.
Public-domain text, read in full here on John Shaqi.
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