The Lock and Key Library: The most interesting stories of all nations: American
General
The Lock and Key Library: The most interesting stories of all nations: American
Detective and mystery stories; Short stories, American
I was aroused from this stupor by sounds that evidently arose in
the next chamber. Was it possible that I had been mistaken in the
figure which I had seen on the bank? or had Carwin, by some
inscrutable means, penetrated once more into this chamber? The
opposite door opened; footsteps came forth, and the person,
advancing to mine, knocked.
So unexpected an incident robbed me of all presence of mind, and,
starting up, I involuntarily exclaimed, “Who is there?” An answer
was immediately given. The voice, to my inexpressible
astonishment, was Pleyel’s.
“It is I. Have you risen? If you have not, make haste; I want
three minutes’ conversation with you in the parlor. I will wait
for you there.” Saying this, he retired from the door.
Should I confide in the testimony of my ears? If that were true,
it was Pleyel that had been hitherto immured in the opposite
chamber; he whom my rueful fancy had depicted in so many ruinous
and ghastly shapes; he whose footsteps had been listened to with
such inquietude! What is man, that knowledge is so sparingly
conferred upon him! that his heart should be wrung with distress,
and his frame be exanimated with fear, though his safety be
encompassed with impregnable walls! What are the bounds of human
imbecility! He that warned me of the presence of my foe refused
the intimation by which so many racking fears would have been
precluded.
Yet who would have imagined the arrival of Pleyel at such an hour?
His tone was desponding and anxious. Why this unseasonable
summons? and why this hasty departure? Some tidings he, perhaps,
bears of mysterious and unwelcome import.
My impatience would not allow me to consume much time in
deliberation; I hastened down. Pleyel I found standing at a
window, with eyes cast down as in meditation, and arms folded on
his breast. Every line in his countenance was pregnant with
sorrow. To this was added a certain wanness and air of fatigue.
The last time I had seen him appearances had been the reverse of
these. I was startled at the change. The first impulse was to
question him as to the cause. This impulse was supplanted by some
degree of confusion, flowing from a consciousness that love had too
large, and, as it might prove, a perceptible, share in creating
this impulse. I was silent.
Presently he raised his eyes and fixed them upon me. I read in
them an anguish altogether ineffable. Never had I witnessed a like
demeanor in Pleyel. Never, indeed, had I observed a human
countenance in which grief was more legibly inscribed. He seemed
struggling for utterance; but, his struggles being fruitless, he
shook his head and turned away from me.
My impatience would not allow me to be longer silent. “What,” said
I, “for heaven’s sake, my friend,—what is the matter?”
He started at the sound of my voice. His looks, for a moment,
became convulsed with an emotion very different from grief. His
accents were broken with rage:—
Public-domain text, read in full here on John Shaqi.
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