The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
General
The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
Detective and mystery stories, French; French fiction -- Translations into English
"Would you like to see him?" asked my mother, almost timidly, and
as I hesitated she added, under the impression that I was afraid of
fatiguing him, whereas I was much surprised by the proposal, "he
asked to see you himself; he wants to hear the news from you about
yesterday's ballot at the club." Was this the real motive of a
desire to see me, which I could not but regard as singular, or did
he want to prove that our interview had left him wholly unmoved?
Was I to interpret the message which he had sent me by my mother as
an additional sign of the extreme importance that he attached to
the details of "society" life, or was he, apprehending my
suspicions, forestalling them? Or, yet again, was he, too,
tortured by the desire TO KNOW, by the urgent need of satisfying
his curiosity by the sight of my face, whereon he might decipher my
thoughts?
I entered the room--it was the same that had been mine when I was a
child, but I had not been inside its door for years--in a state of
mind similar to that in which I had gone to my former interview
with him. I had, however, no hope now that M. Termonde would be
brought to his knees by my direct allusion to the hideous crime of
which I imagined him to be guilty. My stepfather occupied the room
as a sleeping-apartment when he was ill, ordinarily he only dressed
there. The walls, hung with dark green damask, ill-lighted by one
lamp, with a pink shade, placed upon a pedestal at some distance
from the bed, to avoid fatigue to the sick man's eyes, had for
their only ornament a likeness of my mother by Bonnat, one of his
first female portraits. The picture was hung between the two
windows, facing the bed, so that M. Termonde, when he slept in that
room, might turn his last look at night and his first look in the
morning upon the face whose long-descended beauty the painter had
very finely rendered. No less finely had he conveyed the something
half-theatrical which characterized that face, the slightly
affected set of the mouth, the far-off look in the eyes, the
elaborate arrangement of the hair.
First, I looked at this portrait; it confronted me on entering the
room; then my glance fell on my stepfather in the bed. His head,
with its white hair, and his thin yellow face were supported by the
large pillows, round his neck was tied a handkerchief of pale blue
silk which I recognized, for I had seen it on my mother's neck, and
I also recognized the red woollen coverlet that she had knitted for
him; it was exactly the same as one she had made for me; a pretty
bit of woman's work on which I had seen her occupied for hours,
ornamented with ribbons and lined with silk. Ever and always the
smallest details were destined to renew that impression of a shared
interest in my mother's life from which I suffered so much, and
more cruelly than ever now, by reason of my suspicion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account