The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
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The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
Detective and mystery stories, French; French fiction -- Translations into English
He looked first at me, and then at the picture, in the most
leisurely way, like an expert in painting examining a work of art,
without any other motive than that of establishing its
authenticity. If this man had procured the death of him whose
portrait he studied thus, his power over himself was indeed
wonderful. But--was not the experiment a crucial one for him? To
betray his trouble would be to avow all? How ardently I longed to
place my hand upon his heart at that moment and to count its beats.
"You do resemble him," he said at length, "but not to that degree.
The lower part of the chin especially, the nose and the mouth, are
alike, but you have not the same look in the eyes, and the brows,
forehead, and cheeks are not the same shape."
"Do you think," said I, "that the resemblance is strong enough for
me to startle the murderer if he were to meet me suddenly here, and
thus?"--I advanced upon him, looking into the depths of his eyes as
though I were imitating a dramatic scene. "Yes," I continued,
"would the likeness of feature enable me to produce the effect of a
specter, on saying to the man, 'Do you recognize the son of him
whom you killed?"'
"Now we are returning to our former discussion," he replied,
without any farther alteration of his countenance; "that would
depend upon the man's remorse, if he had any, and on his nervous
system."
Again we were silent. His pale and sickly but motionless face
exasperated me by its complete absence of expression. In those
minutes--and how many such scenes have we not acted together since
my suspicion was first conceived--I felt myself as bold and
resolute as I was the reverse when alone with my own thoughts. His
impassive manner drove me wild again; I did not limit myself to
this second experiment, but immediately devised a third, which
ought to make him suffer as much as the two others, if he were
guilty. I was like a man who strikes his enemy with a broken-
handled knife, holding it by the blade in his shut hand; the blow
draws his own blood also. But no, no; I was not exactly that man;
I could not doubt or deny the harm that I was doing to myself by
these cruel experiments, while he, my adversary, hid his wound so
well that I saw it not. No matter, the mad desire TO KNOW overcame
my pain.
"How strange those resemblances are," I said. "My father's
handwriting and mine are exactly the same. Look here."
Public-domain text, read in full here on John Shaqi.
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