The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
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The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
Detective and mystery stories, French; French fiction -- Translations into English
Fear of the scaffold? Then nobody would kill. Besides,
debauchees, whether they stop short at vice or roll down the
descent into crime, have no foresight of the future. Present
sensation is too strong for them; its image abolishes all other
images, and absorbs all the vital forces of the temperament and the
soul. An old dying mother, children perishing of hunger, a
despairing wife; have these pictures of their deeds ever arrested
drunkards, gamblers, or profligates? No more have the tragic
phantoms of the tribunal, the prison, and the guillotine, when,
thirsting for gold, they kill to procure it. The scaffold is far
off, the brothel is at the street corner, and the being sunk in
vice kills a man, just as a butcher would kill a beast, that he may
go thither, or to the tavern, or to the low gaming-house, with a
pocket full of money. This is the daily mode of procedure in
crime.
Why should not the desire of a more elevated kind of debauch
possess the same wicked attraction for men who are indeed more
refined, but are quite as incapable of moral goodness as the
rascally frequenters of the lowest dens of iniquity?
Ah! the thought that my father's blood might have paid for suppers
in a New York night-house was too cruel and unendurable. I lost
courage to pursue my cold, calm, reasonable deductions, a kind of
hallucination came upon me--a mental picture of the hideous scene--
and I felt my reason reel. With a great effort I turned to the
portrait of my father, gazed at it long, and spoke to him as if he
could have heard me, aloud, in abject entreaty. "Help me, help
me!"
And then, I once more became strong enough to resume the dreadful
hypothesis, and to criticise it point by point. Against it was its
utter unlikelihood; it resembled nothing but the nightmare of a
diseased imagination. A brother who employs his brother as the
assassin of a man whose wife he wants to marry! Still, although
the conception of such a devilish plot belonged to the domain of
the wildest fantasies, I said to myself: "This may be so, but in
the way of crime, there is no such thing as unlikelihood. The
assassin ceases to move in the habitual grooves of social life by
the mere fact that he makes up his mind to murder." And then a
score of examples of crimes committed under circumstances as
strange and exceptional as those whose greater or less probability
I was then discussing with myself recurred to my memory.
One objection arose at once. Admitting this complicated crime to
be possible only, how came I to be the first to form a suspicion of
it? Why had not the keen, subtle, experienced old magistrate, M.
Massol, looked in that direction for an explanation of the mystery
in whose presence he confessed himself powerless? The answer came
ready. M. Massol did not think of it, that was all. The important
thing is to know, not whether the Judge of Instruction suspected
the fact, or did not suspect it; but whether the fact itself is, or
is not, real.
Public-domain text, read in full here on John Shaqi.
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