At twenty paces from him he saw the appalling figure of a phantom standing erect; it was enveloped in a large white cloth wound several times round its body, passing under its left arm, and falling over the right shoulder. In one hand it held a torch and a sword, in the other an oval ebony frame of which Gilbert could only see the back, but which seemed to inclose a portrait. The face of this specter was emaciated, drawn, and of unusual length; its skin, withered and dry, seemed to be incrusted upon its bones, its complexion was sallow; a profuse perspiration trickled from its brows and glued the hair to its temples. Nothing could describe the expression of terror in its face. It seemed to Gilbert that its two burning eyeballs penetrated even through the door, though they saw nothing which surrounded them; their vision seemed turned within, and the invisible object which fastened their gaze, a heart haunted by specters. Suddenly the lips of this nocturnal wanderer opened, and another groan more fearful than the first issued from them. It seemed as if his burdened breast wished to shake off by a violent effort a mountain of weariness, the weight of which was crushing it, or rather as though the soul sought to expel itself in this despairing cry. Gilbert was seized with inexpressible agitation, his hair stood on end. He started to fly; but a curiosity stronger than his terror prevented him from leaving the spot and kept him riveted to the door. By the eyebrows and cheekbones, in spite of the distortion of the face, he had recognized Count Kostia. At length this sinister somnambulist stirred from his motionless position and advanced at a slow pace; he walked like an automaton. After taking a dozen steps he stopped, looked around him, and slightly bent forward. His strained features resumed their natural proportions, life re-animated his brow, the deathlike inertia of his face gave place to an expression of sadness and prostration. For a few seconds his lips moved, without saying a word, as if to become flexible, and fashioned anew to the use of speech:--then, in a soft voice which Gilbert did not recognize, and with the plaintive accents of a suffering child, he murmured: "How heavy this portrait is! I can carry it no longer; take it out of my hands, it burns them. In mercy, extinguish this fire. I have a brand in my breast. It must be kept covered with ashes; when I can see it no more, I shall suffer less. It is my eyes that make me suffer; if I were blind, I could return to Moscow." Then in a harsher voice: