The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
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The Lock and Key Library: the Most Interesting Stories of All Nations: French Novels
Detective and mystery stories, French; French fiction -- Translations into English
The day following the one on which Gilbert had resolved to remain
at Geierfels, Father Alexis rose at an early hour, and betook
himself as usual to his dear chapel; he entered with a slow step,
bowed back, and anxious face; but when he had traversed the nave
and stood before the main entrance to the choir, the influence of
the holy place began to dissipate his melancholy; his thoughts took
a more serene turn, and his face brightened.
For several days Father Alexis had been occupied in painting a
group of three figures, Abraham, Isaac, and Jacob, and their
posterity on their knees. It was the exact copy of a picture in
the Convent of Lavra. These patriarchs were gravely seated upon a
grassy bank, separated from each other by little shrubs of a
somewhat fantastic shape. Their venerable heads were crowned with
aureoles; their abundant hair, combed with the greatest care, fell
majestically upon their shoulders, and their thick beards descended
to the middle of their breasts.
Father Alexis worked for nearly an hour, when he heard a step in
the court, and turning his head quickly, perceived Gilbert coming
towards the chapel. The priest thrilled with joy, as a fisherman
might, who after long hours of mortal waiting sees a fish of good
size imprudently approaching his net. Eager for his prey, he threw
aside his brush, quickly descended the ladder with the agility of a
young man and ran to place himself in ambuscade near the door,
where he waited with bated breath. As soon as Gilbert appeared, he
rushed upon him, seized him by the arm, and looked upon him with
eyes which seemed to say: "You are caught, and you won't escape
from me either."
When he had recovered from his first excess of joy, "Ah, my son,"
exclaimed he, "what happy inspiration brings you hither?"
"M. Leminof is not well to-day," answered Gilbert, "and I thought I
could make no better use of my leisure than to pay my respects to
you."
"Oh! what a charming idea," said the priest, looking at him with
ineffable tenderness. "Come, come, my son, I will show you all,
yes all."
This word ALL was pronounced with such an energetic accent, that
Gilbert was startled. It may be readily believed that it was not
exactly about Byzantine pictures that he was curious at this
moment. Nevertheless, he entered with great good-nature into a
minute examination of the images of the choir and the nave; he
praised all which appeared praiseworthy, kept silent upon the
prominent defects which offended the delicacy of his taste, and
allowed himself to criticise only some of the details.
At last he announced to the priest that he wished to talk with him
of a serious matter.
"A serious matter?"
And the face of the good father became grave. "Have you anything
to confess to me? What am I saying? You are not orthodox, my
child,--would to God you were."
"Let us descend, let us descend," said Gilbert, putting his foot
upon the ladder.
Public-domain text, read in full here on John Shaqi.
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