Then came--greeted by the same success--the bouquet of flowers, produced instantaneously from a hat; the CORNUCOPIA, supplying a multitude of objects which I distributed, though unable to satisfy the repeated demands made on all sides, and still more by those who had their hands full already; the FIVE-FRANC PIECES, sent across the theater with a crystal box suspended above the spectators. One trick I should much have liked to perform was the INEXHAUSTIBLE BOTTLE, so appreciated by the Parisians and the Manchester "hands"; but I could not employ it in this performance, for it is well known the followers of Mohammed drink no fermented liquor--at least not publicly. Hence, I substituted the following with considerable advantage: I took a silver cup, like those called "punch bowls" in the Parisian cafes. I unscrewed the foot, and passing my wand through it showed that the vessel contained nothing; then, having refitted the two parts, I went to the center of the pit, when, at my command, the bowl was MAGICALLY filled with sweetmeats, which were found excellent. The sweetmeats exhausted, I turned the bowl over, and proposed to fill it with excellent coffee; so, gravely passing my hand thrice over the bowl, a dense vapor immediately issued from it, and announced the presence of the precious liquid. The bowl was full of boiling coffee, which I poured into cups, and offered to my astounded spectators. The first cups were only accepted, so to speak, under protest; for not an Arab would consent to moisten his lips with a beverage which he thought came straight from Shaitan's kitchen; but, insensibly seduced by the perfume of their favorite liquor, and urged by the interpreters, some of the boldest decided on tasting the magic liquor, and all soon followed their example. The vessel, rapidly emptied, was repeatedly filled again with equal rapidity; and it satisfied all demands, like my inexhaustible bottle, and was borne back to the stage still full. But it was not enough to amuse my spectators; I must also, in order to fulfill the object of my mission, startle and even terrify them by the display of a supernatural power. My arrangements had all been made for this purpose, and I had reserved for the end of my performances three tricks, which must complete my reputation as a sorcerer. Many of my readers will remember having seen at my performances a small but solidly built box, which, being handed to the spectators, becomes heavy or light at my order; a child might raise it with ease, and yet the most powerful man could not move it from its place. I advanced, with my box in my hand, to the center of the "practicable," communicating from the stage to the pit; then, addressing the Arabs, I said to them: