The Log of a Cowboy: A Narrative of the Old Trail DaysAdams, Andy
General
The Log of a Cowboy: A Narrative of the Old Trail Days
Adams, Andy
Cattle drives -- Fiction; Cowboys -- Fiction; Western stories
Quince Forrest was spending his winnings as well as drinking freely,
and at the end of a quadrille gave vent to his hilarity in an
old-fashioned Comanche yell. The bouncer of the dance hall of course
had his eye on our crowd, and at the end of a change, took Quince to
task. He was a surly brute, and instead of couching his request in
appropriate language, threatened to throw him out of the house.
Forrest stood like one absent-minded and took the abuse, for
physically he was no match for the bouncer, who was armed, moreover,
and wore an officer’s star. I was dancing in the same set with a
red-headed, freckled-faced girl, who clutched my arm and wished to
know if my friend was armed. I assured her that he was not, or we
would have had notice of it before the bouncer’s invective was ended.
At the conclusion of the dance, Quince and The Rebel passed out,
giving the rest of us the word to remain as though nothing was wrong.
In the course of half an hour, Priest returned and asked us to take
our leave one at a time without attracting any attention, and meet at
the stable. I remained until the last, and noticed The Rebel and the
bouncer taking a drink together at the bar,--the former apparently in
a most amiable mood. We passed out together shortly afterward, and
found the other boys mounted and awaiting our return, it being now
about midnight. It took but a moment to secure our guns, and once in
the saddle, we rode through the town in the direction of the herd. On
the outskirts of the town, we halted. “I’m going back to that dance
hall,” said Forrest, “and have one round at least with that
whore-herder. No man who walks this old earth can insult me, as he
did, not if he has a hundred stars on him. If any of you don’t want to
go along, ride right on to camp, but I’d like to have you all go. And
when I take his measure, it will be the signal to the rest of you to
put out the lights. All that’s going, come on.” There were no
dissenters to the programme. I saw at a glance that my bunkie was
heart and soul in the play, and took my cue and kept my mouth shut. We
circled round the town to a vacant lot within a block of the rear of
the dance hall. Honeyman was left to hold the horses; then, taking off
our belts and hanging them on the pommels of our saddles, we secreted
our six-shooters inside the waistbands of our trousers. The hall was
still crowded with the revelers when we entered, a few at a time,
Forrest and Priest being the last to arrive. Forrest had changed hats
with The Rebel, who always wore a black one, and as the bouncer
circulated around, Quince stepped squarely in front of him. There was
no waste of words, but a gun-barrel flashed in the lamplight, and the
bouncer, struck with the six-shooter, fell like a beef. Before the
bewildered spectators could raise a hand, five six-shooters were
turned into the ceiling. The lights went out at the first fire, and
amidst the rush of men and the screaming of women, we reached the
Public-domain text, read in full here on John Shaqi.
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