(2) Objectivity contains the three forms of Mechanism, Chemism, and Teleology. The object of mechanical type is the immediate and undifferentiated object. No doubt it contains difference, but the different pieces stand, as it were, without affinity to each other, and their connexion is only extraneous. In chemism, on the contrary, the object exhibits an essential tendency to differentiation, in such a way that the objects are what they are only by their relation to each other: this tendency to difference constitutes their quality. The third type of objectivity, the teleological relation, is the unity of mechanism and chemism. Design, like the mechanical object, is a self-contained totality, enriched however by the principle of differentiation which came to the fore in chemism, and thus referring itself to the object that stands over against it. Finally, it is the realisation of design which forms the transition to the Idea. (a) _Mechanism._ 196.] The object (1) in its immediacy is the notion only potentially; the notion as subjective is primarily outside it; and all its specific character is imposed from without. As a unity of differents, therefore, it is a composite, an aggregate; and its capacity of acting on anything else continues to be an external relation. This is Formal Mechanism.--Notwithstanding, and in this connexion and non-independence, the objects remain independent and offer resistance, external to each other. Pressure and impact are examples of mechanical relations. Our knowledge is said to be mechanical or by rote, when the words have no meaning for us, but continue external to sense, conception, thought; and when, being similarly external to each other, they form a meaningless sequence. Conduct, piety, &c. are in the same way mechanical, when a man's behaviour is settled for him by ceremonial laws, by a spiritual adviser, &c.; in short, when his own mind and will are not in his actions, which in this way are extraneous to himself. * * * * *