210.] The realised End is thus the overt unity of subjective and objective. It is however essentially characteristic of this unity, that the subjective and objective are neutralised and cancelled only in the point of their one-sidedness, while the objective is subdued and made conformable to the End, as the free notion, and thereby to the power above it. The End maintains itself against and in the objective for it is no mere one-sided subjective or particular, it is also the concrete universal, the implicit identity of both. This universal, as simply reflected in itself, is the content which remains unchanged through all the three _termini_ of the syllogism and their movement. 211.] In finite design, however, even the executed End has the same radical rift or flaw as had the Means and the initial End. We have got therefore only a form extraneously impressed on a pre-existing material: and this form, by reason of the limited content of the End, is also a contingent characteristic. The End achieved consequently is only an object, which again becomes a Means or material for other Ends, and so on for ever. 212.] But what virtually happens in the realising of the End is that the one-sided subjectivity and the show of objective independence confronting it are both cancelled. In laying hold of the means, the notion constitutes itself the very implicit essence of the object. In the mechanical and chemical processes the independence of the object has been already dissipated implicitly, and in the course of their movement under the dominion of the End, the show of that independence, the negative which confronts the notion, is got rid of. But in the fact that the End achieved is characterised only as a Means and a material, this object, viz. the teleological, is there and then put as implicitly null, and only 'ideal.' This being so, the antithesis between form and content has also vanished. While the End by the removal and absorption of all form-characteristics coalesces with itself, the form as self-identical is thereby put as the content, so that the notion, which is the action of form, has only itself for content. Through this process, therefore, there is made explicitly manifest what was the notion of design: viz. the implicit unity of subjective and objective is now realised. And this is the Idea. * * * * *