The London Burial Grounds: Notes on Their History from the Earliest Times to the Present DayHolmes, Isabella M.
History
The London Burial Grounds: Notes on Their History from the Earliest Times to the Present Day
Holmes, Isabella M.
Cemeteries -- England -- London -- History
In this matter of the conversion of churchyards into public gardens
there has, indeed, been a wonderful change in public opinion. It used to
be necessary to visit the clergy and to ask them to allow the grounds to
be laid out, with the result, usually, that the request or offer was
declined. But a new race of clergy seems to be springing up, and such
men as the present Rectors of Woolwich, Walworth, and Bethnal Green no
sooner came into possession of their livings than they wrote to the
Association, begging that their churchyards might be taken in hand. The
new Rector of Bethnal Green, already well known as the “head” of Oxford
House, not only asked the Association to lay out his churchyard but also
made a Christmas present of it to the Vestry, and ere long it will be a
most useful open space. And this has happened in very many places, most
of the parish churchyards being new public gardens, except Camberwell,
Rotherhithe, Battersea, Clapham, Wandsworth, Kensington, Wapping,
Homerton, and a few others; but there are still several district
churchyards which it would be very advantageous to lay out.
To return to some of the quainter spots. In the burial-ground of St.
George the Martyr, Bloomsbury, there stands a private gentleman’s
dissecting-room. Hackney Churchyard includes the ground surrounding the
tower of the older church (St. Augustine’s), while Bermondsey Churchyard
includes the cemetery of the Abbey. The little playground in Russell
Court, Drury Lane, which was a graveyard attached to the parish of St.
Mary le Strand, is immortalised as “Tom all alones” in Dickens’ “Bleak
House.” This was “that there berryin’ ground,” where, said poor Jo,
“‘they laid him as was werry good to me’”—the place “with houses looking
on on every side, save where a reeking little tunnel of a court gives
access to the iron gate....
“‘He was put there,’ says Jo, holding to the bar and looking in.
“‘Where? Oh, what a scene of horror!’
“‘There,’ says Jo, pointing, ‘over yinder—among them piles of bones, and
close to that there kitchen winder! ... Look at the rat! Hi! Look! There
he goes! Ho! into the ground.’”
When the Association got hold of it, it was little else than a heap of
decaying rubbish thrown from the surrounding houses, and the carcases of
eighteen cats were removed at once. It is now an asphalted recreation
ground, and is often crowded with children using the swings and the
seats. But it has lately lost its characteristic appearance, the
surrounding houses have been pulled down, and it is at present “opened
out.” The “kitchen winder” no longer leads into a kitchen, though the
iron gate is still in its original state, with the worn step upon which
Lady Deadlock’s life was brought to a close.
Public-domain text, read in full here on John Shaqi.
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