The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
The squalors of theatrical touring companies seem to be, and no doubt
are, capable of indefinite exploitation by novelists. Readers who care
to be mildly harrowed by these topics will find in this volume all the
pabulum to which they have been accustomed in innumerable other books.
But those who have no particular taste for this sort of thing beyond
moderation will confine themselves to wondering in what the revolt of
youth here consists and in what way they are expected to find it a
moving performance. Louie breaks away from home, goes on the stage, is
a failure, returns and marries her cousin. There is a suicide and a
good deal of illicit love-making, and at the end the heroine behaves
with conventionally noble unconventionality. But these things are
wearisome if one has no special taste for them.
BELLES-LETTRES AND CRITICISM
SOME DIVERSIONS OF A MAN OF LETTERS. By EDMUND GOSSE, C.B. Heinemann.
7_s._ 6_d._ net.
Diversions? In a sense they are all, they have always been, diversions.
Mr. Gosse has never allowed the chains of the critical vocation
to weigh heavily upon him. It has been consistently his especial
characteristic that he has approached the most difficult problems in
literature with undaunted courage and vivacity. Where others have sat
down to the difficult siege of Donne or Swinburne with the pedantic
long faces of writers determined not to flinch even though all their
readers fall asleep during the fray, Mr. Gosse advances lightly, blows
a pleasant blast on the trumpet of his familiar prose and topples the
most obdurate walls over before him, without ever losing the least
part of his dignity. This it is which makes his reputation one of the
assets of modern English literature. He represents among us a school
of critics of which the disciples in this country are by no means too
numerous. During a long career he has found and continually practised
the secret of being almost always sound and never dull, invariably
vivacious, and hardly ever superficial. His critical essays have always
the gay, untrammelled air, if not the frivolous substance, of pure
diversions.
Public-domain text, read in full here on John Shaqi.
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