The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
Mr. Edmund Gosse, the doyen of English critics, celebrated his
seventieth birthday in September, and, through Lord Crewe, a
presentation was made to him accompanied by a memorial of almost
unexampled length and distinction. Each of the signatories has since
received a beautifully printed "memento." Those who saw Mr. Gosse's
paper on George Eliot will not need to be told that his powers seem,
if anything, to increase with age. Great and diverse as have been
his services to literature since his first book was (when he was in
his early twenties) published, his finest work, both "original" and
critical, has appeared in recent years; and it is easily conceivable
that the decade between his seventieth and his eightieth birthdays
will be his most productive. A man of letters can be paid no higher
compliment: Mr. Gosse has retained, and will retain to the end, the
energy and the freshness of youth, whilst his knowledge and experience,
in the natural course of things, broaden and deepen.
* * * * *
The death of Leonid Andreef removes the most savage pessimist of all
the pessimists who have come out of modern Russia. But the author of
_The Life of Man_, _The Seven that Were Hanged_, and _The Red Laugh_
was not a pessimist for pessimism's sake: he suffered and he expressed
his suffering sincerely. One of his short stories--that which tells
of a student and his girl who were overtaken by a band of ruffians in
a wood--is perhaps the most ghastly story that has ever been written;
yet the most revolted reader could not suppose that the author had been
less revolted than himself. Andreef had refused enormous offers to work
for the Bolsheviks, and died, in great poverty, from shock induced by a
rain of Bolshevik bombs near his house.
POETRY
_Ishak's Song_[5]
[5] _This song comes from Flecker's unpublished drama
_Hassan_, which those who have seen it consider
immeasurably the finest thing that he ever wrote. It
has remained in manuscript since his death, awaiting
stage production. His _Yasmin_ is another song from
the play, and his well-known _Golden Journey_ to
_Samarkand_ is its epilogue. Ishak is the Court poet
of Haroun-al-Raschid._
Thy dawn, O Master of the World, thy dawn,
The hour the lilies open on the lawn,
The hour the grey wings pass beyond the mountains,
The hour of silence when we hear the fountains,
The hour that dreams are brighter and winds colder,
The hour that young love wakes on a white shoulder,
O Master of the World, the Persian dawn!
This hour, O Master, shall be bright for thee:
Thy merchants chase the morning down the sea,
The braves who fight thy fight unsheath the sabre,
The slaves who toil thy toil are lashed to labour,
For thee the waggons of the world are drawn--
The ebony of night, the red of dawn!
Public-domain text, read in full here on John Shaqi.
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