The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
The effect of convincing anyone against his will is sufficiently
familiar, but it may be questioned whether there is not another state
of mind which is still more insusceptible of real conviction, which it
is still more of a labour of Sisyphus to convince. In this state there
is too much mere inertia for the word "will" to come in. There is no
intention of relapsing into the same opinion; there is indeed no need
of any, for the opinion is never disturbed. The attempts at convincing
need not be resisted or contemned; they may even be listened to and
enjoyed like a very pleasant song, but they are at once forgotten.
Something of this sort, it may be feared, is the case with the subject
of this present paper. People have made up their minds that there was
_no_ eighteenth-century poetry or, at best, that such as there was was
not properly eighteenth-century poetry at all, but merely a survival
or an anticipation. The present writer had a perhaps accidental but
certainly curious illustration of the fact in reference to the origin
of this very paper; for having expressed his intention of discussing
"eighteenth-century _poetry_," he found the subject announced at
first as "eighteenth-century _verse_." In face of such a popular
attitude--let us be bold and give it its proper name: such a vulgar
error--it may not be quite idle to make a fresh attempt against it. I
am not sure that in some of the versions of the Pagan Apocrypha it is
not recorded that Sisyphus _did_ get that stone lodged at last. At any
rate it is worth trying, even at the risk, which is almost a certainty,
of the very illogical suspicion that if you like eighteenth-century
poetry, you _don't_ like--or don't sufficiently understand--seventeenth
and nineteenth. On that point the present writer may, he thinks, slap
his sword home and decline duello with any man. But he will take the
liberty firstly, in order to confine the matter within reasonable
limits, of leaving Pope almost entirely out. Obviously the famous and
much-argued question, "Was Pope a poet?" can be answered, even in the
negative, without deciding our general point here.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account