The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
Nor was this life of terror and pain lightened by any gracious or
liberal influences. The world which Mr. Festing Jones exhibits to us
in his opening chapters is full of the drabbest and most depressing
horrors of Early Victorianism. Its measure can be taken by a single
story which Butler preserved:
Archdeacon Bather was lunching with my grandfather some two or three
years after the Archdeacon had lost his first wife. Dr. Butler dearly
loved a hard crust of bread baked nearly black, and it so happened
that a piece was set by his plate with hardly any crust, and what
little there was, very thin. My aunt, then Miss Butler, observing
what had happened, at once said:
"Oh, Papa, this won't do at all! I will find you a piece more to your
liking." Whereon she went to the kitchen and returned with a crust
baked exactly to Dr. Butler's taste.
When Archdeacon Bather saw this he said to himself: "That is the
young woman for me"; and shortly afterwards he proposed and was
accepted.
Readers will remember the scene in _The Way of All Flesh_ in which
Theobald, driving away for his honeymoon, insists that Christina shall
order their dinner at the first stop, and in which Christina protests
with tears her nervousness, and Theobald replies, "It is a wife's duty
to order her husband's dinner; you are my wife, and I shall expect you
to order mine." A sensitive child, neglected or even ill-treated by its
parents, might, if the relations of the parents between themselves had
anything beautiful or kindly, see some possibilities of happiness in
the institution of the family. But Samuel Butler was brought up in a
world where no such possibilities seemed to exist. He came to believe,
Mr. Festing Jones tells us, that, like Habakkuk, _le père de famille
est capable de tout_. It has often been maintained that the greatest
poets and artists do nothing throughout life but draw on those fresh
and lovely impressions which they have gathered in childhood. When
he was a child Butler acquired habits of suspicion against all those
surrounding him who were not connected with him by freely-chosen bonds
of friendship. Canon Butler bullied him on moral grounds; and he grew
to suspect every claim made on him, every exhortation addressed to
him, on moral grounds. Ernest Pontifex is described on one occasion
as assuming the expression of a puppy which is being scolded for
something it does not understand; and Butler did indeed develop some
of the habits of an ill-treated dog. He shied and snarled at a lifted
hand, which might have been lifted in kindness or in ignorance of his
existence. Having, as he supposed, penetrated the fraud of the family,
he felt a distrust of all human institutions. He suspected the world of
being in a conspiracy to pretend that parents were naturally kind to
their children, that Christ rose from the dead, and that Tennyson was a
great poet. And, turning from all these discredited shows, he devoted
Public-domain text, read in full here on John Shaqi.
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