The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
These journals are for fragments only of the years which they cover,
and as such exist for Jan.-May, 1798 (Alfoxden), May-Dec., 1800,
Oct.-Dec., 1801, Jan.-July, 1802: all these at Grasmere. They have been
printed by Professor Knight, and I have the assurance of Mr. Gordon
Wordsworth that what little has been omitted is unimportant. Nothing is
unimportant to me, and I wish the whole had been given us; but what we
have is enough whereby to trace the development of her extraordinary
mind and of her power of self-expression. The latter, undoubtedly,
grew out of emotion, which gradually culminated until the day of
William Wordsworth's marriage. There it broke, and with it, as if by
a determination of the will, there the revelation ceased. A new life
began with the coming of Mary Wordsworth to Dove Cottage, a life of
which Dorothy records the surface only.
The Alfoxden fragment (20 Jan.-22 May, 1798), written when she was
twenty-seven, is chiefly notable for its power of interpreting
landscape. That was a power which Wordsworth himself possessed in a
high degree. There can be no doubt, I think, that they egged each other
on, but I myself should find it hard to say which was egger-on and
which the egged. This is the first sentence of it:
"20 Jan.--The green paths down the hillsides are channels for
streams. The young wheat is streaked by silver lines of water running
between the ridges, the sheep are gathered together on the slopes.
After the wet dark days the country seems more populous. It peoples
itself in the sunbeams."
Here is one of few days later:
"23rd.--Bright sunshine, went out at 3 o'cl. The sea perfectly calm
blue, streaked with deeper colour by the clouds, and tongues or
points of sand; on our return of a gloomy red. The sun gone down. The
crescent moon, Jupiter and Venus. The sound of the sea distinctly
heard on the tops of the hills, which we could never hear in summer.
We attribute this partly to the bareness of the trees, but chiefly to
the absence of the singing birds, the hum of insects, that noiseless
noise which lives in the summer air. The villages marked out by
beautiful beds of smoke. The turf fading into the mountain road."
She handles words, phrases, like notes or chords of music, and never
gets her landscape by direct description. One more picture and I must
leave it:
"26.-- ... Walked to the top of a high hill to see a fortification.
Again sat down to feed upon the prospect; a magnificent scene,
_curiously_ spread out for even minute inspection, though so
extensive that the mind is afraid to calculate its bounds...."
Coleridge was with them most days, or they with him. Here is a curious
point to note. Dorothy records:
"March 7th.--William and I drank tea at Coleridge's.... Observed
nothing particularly interesting.... One only leaf upon the top of
a tree--the sole remaining leaf--danced round and round like a rag
blown by the wind."
And Coleridge has in _Christabel_:
Public-domain text, read in full here on John Shaqi.
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