The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
On my next visit to town we met at a lunch. I saw a young man of medium
stature and slender build, with very steady, penetrating blue eyes, the
eyes of a being who not only sees visions but can brood over them to
some purpose.
He had indeed a wonderful power of vision, which he applied to the
things of this earth and of our mortal humanity with a penetrating
force that seemed to reach within life's appearances and forms the very
spirit of their truth. His ignorance of the world at large--he had seen
very little of it--did not stand in the way of his imaginative grasp of
facts, events, and picturesque men.
His manner was very quiet, his personality at first sight interesting,
and he talked slowly with an intonation which on some people, mainly
Americans, had, I believe, a jarring effect. But not on me. Whatever
he said had a personal note, and he expressed himself with a graphic
simplicity which was extremely engaging. He knew little of literature,
either of his own country or of any other, but he was himself a
wonderful artist in words whenever he took a pen into his hand. Then
his gift came out--and it was seen to be much more than mere felicity
of language. His impressionism of phrase went really deeper than the
surface. In his writing he was very sure of his effects. I don't think
he was ever in doubt about what he could do. Yet it often seemed
to me that he was but half aware of the exceptional quality of his
achievement.
This achievement was curtailed by his early death. It was a great loss
to his friends, but perhaps not so much to literature. I think that he
had given his measure fully in the few books he had the time to write.
Let me not be misunderstood: the loss was great, but it was the loss of
the delight his art could give, not the loss of any further possible
revelation. As to himself, who can say how much he gained or lost by
quitting so early this world of the living, which he knew how to set
before us in terms of his own artistic vision? Perhaps he did not lose
a great deal. The recognition he was accorded was rather languid and
given him grudgingly. The worthiest welcome he secured for his tales
in this country was from Mr. W. Henley in the _New Review_ and later,
towards the end of his life, from the late Mr. William Blackwood in his
magazine. For the rest I must say that during his sojourn in England
he had the misfortune to be, as the French say, _mal entouré_. He
was beset by people who understood not the quality of his genius and
were antagonistic to the deeper fineness of his nature. Some of them
have died since, but dead or alive they are not worth speaking about
now. I don't think he had any illusions about them himself; yet there
was a strain of good-nature and perhaps of weakness in his character
which prevented him from shaking himself free from their worthless
and patronising attentions, which in those days caused me much secret
irritation whenever I stayed with him in either of his English homes.
Public-domain text, read in full here on John Shaqi.
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