This volume contains fifty-two poems selected from Mr. Sassoon's previous volumes, and twelve new ones. The former are far too well known to need description at this date; but we think that even in these, and still more in the new poems, there is ground for the conjecture that those who think of Mr. Sassoon primarily as a savage realist and satirist are likely in the future to be surprised. It was a genuine and profound sensibility, tenderness, and a cheated passion for beauty that produced his war poetry; not an innate predilection for violence, vituperation, or caricature. Now the storm has gone over he seems to be becoming more and more a poet of nature. The transition is perhaps symbolised in the most beautiful of the new poems here printed. It is called _Everyone Sang_, and concludes the book, so full of blood and corpses, rats, evil smells, and all the turmoil and _débris_ of war: Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom Winging wildly across the white Orchards and dark green fields; on; on; and out of sight. Everyone's voice was suddenly lifted, And beauty came like the setting sun. My heart was shaken with tears and horror Drifted away.... O but every one Was a bird; and the song was wordless; the singing will never be done. The book contains much that, however sincere, can only be described as journalism _in excelsis_, but it is all inextricably mixed with genuine poetry, and the collection as a whole, we suspect, will have a permanent interest and value. Better than from a hundred histories posterity will get from these poems a picture of how men felt and looked in that world of Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom. Their merits are never more clearly displayed than when they are compared to the poems of the imitators who have sprung up like mushrooms since Mr. Sassoon began publishing. These have taken his brutal words, his more obvious attitudes, and the senile and complacent objects of his satire; but in the copies the life is lacking. ARGONAUT AND JUGGERNAUT. By OSBERT SITWELL. Chatto & Windus 5_s._ net. At first sight this book looks like a revolutionary manifesto. Its title is vehement and original, and its paper "jacket" is decorated with the photograph of a negro head surmounted with a towering and tapering wickerwork structure. It has no bearing on the contents, and we can only assume that the author put it there because he liked it or to arrest attention. Attention having been arrested, expectation is disappointed. It is true that Mr. Sitwell often writes in _vers libres_, and that he opens with a challenge and hearty proclamation in the key of